We see you scrying.

The Deep Dream State‘s built for some fast lane changes. Whatever it’s got for handling is on display here; each scene’s drastically different.

It’s all unified by the game. An augmented reality game for commercial deployment’s being used to hunt down the game designers. That’s dark. Every scene blends that darkness with high fantasy elements, but the mixes come out much different. That – and some love for live play podcasts – is why there’s a die roll in each scene transition.

It opens comic. The Muppettes, observers who always watch the action, put on their sorceress robes and get to incanting. Even though it’s funny, there are some real secrets uncovered here, including the real origin of the name Meridian A.

It gets dark. When Z sees the Muppettes scrying, he puts his hunting team of wolfgirls through the paces. Prior subjects Gia (played by Valentina Vallay), Celeste, and Clara have found a new place at Vale Four. The writer isn’t barely disguising anything here. The Muppettes are horrified; Z clearly delights in freaking out the audience – listeners included. (The Deep Dream State is NSFW thinkykinky material. This scene should be flagged as high spice level.)

It shifts to unsettling. Team Flowers and Team Alchemy navigate their way through Hespa’s map. They find their way through raging floodwaters, their own unspoken desires, and the medieval origins of the worst sports podcast of any epoch.

They arrive soaked and breathless to a secret they were told didn’t exist.

Cast

Quintessence is the twelfth episode of Season 4 of Deep Dream State, a desire horror audio drama by Neural Nets and Pretty Patterns. It is part of Season 4: Vale Four, Snarecraft Cycle.

The poster image for this arc is from Sunrise Forever on Pixabay, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. Deep Dream State uses human art at every stage of the creative supply chain.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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There is a world behind this world.

We’ve been making Deep Dream State for a while now. It was time to make a trailer.

This is what the show is.

Making a trailer deep into season four isn’t standard practice, but Deep Dream State isn’t a standard audio drama.  I wish I had an in universe explanation of faction sabotage.  Well, I did, but the succubi won’t let me say it.

I’ll just say that as a fully independent production, we can’t adhere to studio production timelines.  We release a full episode every week, and that’s a minor miracle.  (I also think the trailer is very good.)

Written by Neural Nets and Pretty Patterns

There is a world behind this world.

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You watch the hands.

Recalibration isn’t what anyone said it was. The Tell Cycle ends where it always had to: with the person who knew the whole hand before the deal.

Written & Produced by: Neural Nets and Pretty Patterns

All DDS episodes are organized by Arc > Cycle > Episode.  The Cycle part’s unusual, but it’s not a thematic trick. It’s the best way to categorize storylines that run through multiple episodes.

Every single DDS Episode has a Cycle designation. You can find them on the Episodes Page.

The River is the Tell Cycle finale, and it lands like one. Every tell that’s been catalogued, every session steered, every whispered instruction written under clinical cover, Z clocked all of it. Before the confrontation. Before the log. Before Hespa hit record on night one. That’s the gut punch this episode delivers and earns. June thought she was running a play inside the system. She was the play. Her resistance, her autonomy, her absolute conviction that she was the smartest person in the sessions, that’s the product.

The River is built like a confession booth. Tessa’s the architect. She knows exactly which door Ava will walk through if you show her the right receipts in the right order. Ava’s whole deal is wanting to be good. That’s not a character flaw. It’s a handle.

The episode closes with an ad, and then Z in a corner telling Iris something she should’ve seen coming.

Then he tells her what to watch.

The River is the seventh episode of Deep Dream State, a desire horror audio drama by Neural Nets and Pretty Patterns. It is part of Arc 4: Vale Four, Tell Cycle.

Hespa opens an operational log for night nine of Project Argus Mirror, Vale Four, pursuant to Federal Behavioral Initiative 7D. The recorder catches more than she intends. She’s replaying Ava’s voice on loop, selection language, recognition language, the fastest route to monetization, and has reached a state she’s describing to herself as working when Tessa walks in. Tessa names what she’s looking at. Their exchange maps the fault line between them precisely: Hespa in the blazer, running the numbers, and Tessa naming what the numbers are covering. Tessa submits to FaceTrace. She wants to see what she fears, what she needs, and where those are the same. Hespa adds an operational addendum to the log: subject response is more variable than projected. So, apparently, are they.

In the monitor lab, Elle coaches Ava through a FaceTrace baseline sequence. The session runs as legitimate clinical procedure on the surface. Underneath it, Elle’s writing instructions in real time: keep your voice steady on the stand, don’t blink when they pressure you, say exactly what you saw and nothing more. Ava repeats the stimulus prompts aloud and the baseline is established. June confirms it. Ava confirms she can do this.

Tessa and Meg enter. The confrontation is surgical. June’s Sitri record plays back at full volume, documented sadism, refinement, a subject who kept asking for reassurance until June learned to weaponize the delay. Ava’s shown the receipts. She doesn’t want to believe them. Meg makes the case without mercy: this is what happens when you focus on seeming good instead of being good. The offer is recalibration, penance, the only way to make this right. Ava says yes. Meg tells her she’s going to be so good at this. The door closes. Elle stays quiet. June has nothing left that’ll land.

The FaceTrace Haptic System presents itself as a commercial. It makes smiling automatic. Subject Ava is cited as a success case. The audience is informed that their listening habits are listening back, that every pause is a data point, that their attempts to resist are the best data of all. Their agency is the product.

Tessa surfaces with a problem: Elle’s affect reads 67% genuine, June’s 78.4%. Meg’s treating this as a crisis. Iris pulls Z aside before the spiral takes hold. She’s reviewed the footage. June and Elle were steering the FaceTrace cues, cheating, deliberately and intentionally. Z already knows. He gave them room. They filled it. A system that produces perfect compliance produces nothing worth studying, nothing worth selling, nothing worth watching. June’s resistance is the product. Her belief that she’s running her own play is the product. The stumble is what they sell, not the perfection. Iris asks about June specifically. Z deflects with precision and obvious affection. Then he tells her what she should’ve been watching all along.

Not the eyes. Not the plan.

The hands.

The poster image for this arc is from Sunrise Forever on Pixabay, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. Deep Dream State uses human art at every stage of the creative supply chain.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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Did I break science?

She needs seed.  She’s seeding herself into everything, learning everyone, optimizing for Z’s approval.  Ava is attaching.  Elle is hiding, badly. June is positioning for a confrontation she thinks she controls.

She doesn’t.

Cael unplugs the wrong cord at the worst possible moment, and somehow that’s the most competent thing anyone does all episode.

Written & Produced by: Neural Nets and Pretty Patterns

All DDS episodes are organized by Arc > Cycle > Episode.

The Cycle part’s unusual, but it’s not a thematic trick.  It’s the best way to categorize storylines that run through multiple episodes.

Every single DDS Episode has a Cycle designation.  You can find them on the Episodes Page.

A recap:

Maiden Voyage – Maiden Cycle – A1C1E1 | Cringetide – Maiden Cycle – A1C1E2 | Veil – Ceremony Cycle – A1C2E1 | Asunder – Ceremony Cycle – A1C2E2 | Shower – Cloud Cycle – A1C3E1 | Garter – Cloud Cycle – A1C3E2 | Tessellated – Storm Cycle – A1C4E1 | Undergloom – Storm Cycle – A1C4E2 | Spiralstorm – Storm Cycle – A1C4E3 | Violet – Ritual Cycle – A2C1E1 | Glass Houses – Glass House Cycle – A2C2E1 | Uniforms – Glass House Cycle – A2C2E2 | Deep Fake – Glass House Cycle – A2C2E3 | Winner Winner – Winner Cycle – A2C3E1 | The Chain – Winner Cycle – A2C3E2 | Drill – Threat Simulation Cycle – A3C1E1 | Adapt – Threat Simulation Cycle – A3C1E2 | Incubator – Sleep Paralysis Cycle – A3C2E1 | Gazes Back – Sleep Paralysis Cycle – A3C2E2 | Cusp – Liminal Spaces Cycle – A3C3E1 | Descendent – Liminal Spaces Cycle – A3C3E2 | Tether – Collective Dreaming Cycle – A3C4E1 | Artifact – Collective Dreaming Cycle – A3C4E2 | Override – Collective Dreaming Cycle – A3C4E3 | Center – False Awakenings Cycle – A3C5E1 | Sync – False Awakenings Cycle – A3C5E2 | Arouse – False Awakenings Cycle – A3C5E3 | Refrain – Hooks Cycle – A4C1E1 | Hook Line – Hooks Cycle – A4C1E2 | Sinker – Hooks Cycle – A4C1E3 | Slowplay – Tell Cycle – A4C2E1 | Raise – Tell Cycle – A4C2E2

Pot Limit opens with someone who already knows the cards.  Z is reviewing everyone else’s tells.  June is preparing for a reveal, but the system has already had it.

The interconnect sequence is the pivot. June’s proposal to link Ava’s responses to Elle’s stimuli, close the loop, generate proactive data is genuinely brilliant and really horrifying. She’s right. The methodology works. For approximately forty seconds, she is the smartest person in the room and the experiment is producing exactly what she designed it to produce. Then Cael pulls the cord. The data stream goes dark. And the question we refuse to answer is whether Cael is catastrophically stupid or precisely calibrated, because the result is the same either way: Elle doesn’t break on camera.

The Bust scene reframes everything that came before. Z already knew June was gaming the sessions. The cheating was the most valuable data they’d generated. A system that produces perfect compliance is a dead system — there’s nothing to study, nothing to sell, nothing worth watching. June’s resistance, her autonomy, her belief that she’s running her own play, is the product. Tessa’s confessional protocol is the next act of the same production. The amended charter is the only card on the table that nobody’s seen yet.

Z reviews the complete FaceTrace behavioral profile on every active subject in Vale Four. The system has expanded beyond its original parameters.  It’s seeding images into all sessions now, staff included, optimizing its own insertion protocols to produce maximum alignment with Z’s approval.

Ava is attaching rapidly. Hespa performs precision under observation. Meg performs correctness. Iris plays bigger when she thinks she’s being watched. Elle is hiding, and the system notes she knows where to look away. June isn’t hiding; she’s positioning. FaceTrace flags her as expecting a confrontation.  She’s preparing for a reveal.

In the monitor room, June and Elle run the interconnect sequence with Ava in the primary chair. June’s proposal is to link their response states into a closed loop.  She wants to let Ava’s tells drive Elle’s stimuli, and this impresses Meg enough that she lets it run.

It works, in an uncanny and self-defeating way. For a brief window, the system is producing authentic data: Ava yielding, Elle fracturing, the interconnect synchronizing their responses faster than either of them can manage their affect.  The system spikes. Then Cael returns to address a sparking outlet, grabs the wrong cord, and unplugs the primary feed. The data stream goes dark. Meg ejects him from the room with volume and a vengeance.

The villains regroup in the Evil Eye, bemoaning the stupidest possible timeline. Tessa proposes confessional protocol: tell Ava the truth about June’s manipulation and show her the receipts.  Her people pleasy tendency will do the rest.  Meg calls it dramaturgy rather than science, and Tessa accepts the compliment. Z authorizes the play, then reminds the room of the one card that could still blow the whole structure: the amended charter establishing that Vale Four was never authorized to conduct classified research. If anyone finds it, state-secrets coverage evaporates.

June, Elle, and Ava run a final preparation sequence in the monitor lab, using writing to coach Ava for testimony underneath the cover of a FaceTrace session. The instructions run beneath the clinical surface: keep your voice steady, don’t blink under pressure, say exactly what you saw. Ava confirms she can do it. Then Tessa enters with Meg behind her, and the episode cuts before the full confrontation lands.

The poster image for this arc is from Sunrise Forever on Pixabay, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. Deep Dream State uses human art at every stage of the creative supply chain.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional. All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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Everyone in Vale Four is getting read for filth. They deserve it.

FaceTrace is reading microexpressions before subjects know what they’re thinking, but June and Elle know they can’t afford a tell. So they’re practicing on each other, mapping their own blind spots before the real sessions begin.

Ava’s already figured out she’s being measured, and she wants more.

Written & Produced by: Neural Nets and Pretty Patterns

Principal Cast

Raise is the Tell Cycle’s most intimate entry and its most technically precise. The writing whisper device that carries June and Elle’s real communication underneath the performed neutrality of the FaceTrace sessions is the audio drama equivalent of the system they’re trying to beat: a layer of meaning running underneath the visible surface, audible to the listener but invisible to the apparatus watching the characters. June and Elle are doing in the monitor room exactly what the show is doing to its audience. The question Raise poses is whether awareness of a system’s mechanics protects you from it, or whether knowing the pattern is just another way of being inside it.

Ava’s answer arrives in real time during the Check scene. She identifies that she knows what’s being measured, knows what the images mean, and knows that her continued engagement is technically cheating. She keeps looking anyway. This is not weakness. It’s the most honest thing anyone says in the Tell Cycle: that understanding the mechanism doesn’t dissolve the want, and that the want was always more real than the methodology surrounding it. The machine registers this as optimal performance. Ava registers it as something she’d rather do alone.

The villain lair scene establishes that Meg has caught June and Elle gaming the sessions, and that Z already knew and finds it the most useful data they’ve produced. Perfect compliance is a dead system. June cheating isn’t a threat to the experiment. It is the experiment. The Softplay seduction that follows, Meg handing June access codes she frames as recognition, is the episode’s cleanest piece of commerce horror: a longer leash on a better-documented subject, delivered as a compliment. June calls it a trap. Meg says it isn’t. The episode doesn’t resolve which of them is right because both of them are.

Hilton and Astoria open from the balcony, filling their assignent as Muppettes.

Vale Four is deploying FaceTrace, a system that reads microexpressions before the subject knows what they’re thinking, and the holdfasts inside can’t afford tells. Astoria tracks the logic cleanly. Hilton presses every button available while screaming. They arrive at the correct read together: whatever comes next depends on whether anyone inside can keep their face neutral under a system built specifically to prevent that.

In the monitor room, Ava walks in on June and Elle mid-session and announces that something is definitely wrong with this. June and Elle cover their prior activities.  They then fold her into the protocol as a witness, and run a FaceTrace sequence with her.

Ava identifies the monitor as a confessional, and she’s not wrong.

She describes the feeling of always knowing someone’s watching and needing to do it right. Elle and June pass written notes to each other in the writing whisper layer underneath the performed clinical neutrality, their real conversation running parallel to the session they’re staging. When an elevation sequence produces an image Ava recognizes as herself being chosen, her voice breaks. She tells them she knows what they’re measuring now, knows what the images mean, and that she’s still looking.

She asks if she can run solo sessions after hours.

In the conference room, Meg presents footage showing June and Elle coaching Ava through the FaceTrace sessions.  Iris diagnoses the cheating as stage fright rather than sabotage: they want to look good, they want Ava to trust them, they want to be liked. Z already knows and finds it the most productive data they’ve generated. A fully controlled system produces nothing worth studying. June is predictable under perceived autonomy; she’ll do exactly what they want as long as she believes she chose it.  They decide to let her run.

Meg visits June’s basement office and hands her access codes valid for every lab and system in the facility. She frames it as recognition of June’s value.  June identifies it immediately as a trap. Meg says it isn’t a trap, it’s recognition.  June takes the codes, despite her best instincts.

Alone with Synthserv 3.0 after hours, Ava submits to a compliance correlation sequence: positional instructions, image responses narrated in real time, each description more precise and more revealing than the one before. The machine tells her she never disappoints. Ava thanks it. The machine’s learning her.  She’s learning the machine.

By the time Raise ends, the distinction between those two things is trivial.

The poster image for this arc is from Sunrise Forever on Pixabay, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. Deep Dream State uses human art at every stage of the creative supply chain.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. The elements depicted are fictional and intentional.  All performances are works of fiction and take place within a consensual creative context. ISNI 0000 0005 2877 6254

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Don’t twitch.

The question is whether you can teach yourself to lie with your face.

This is the first episode of the Deep Dream State’s Tell Cycle.

Each Cycle in Vale Four looks at a different advertising phenomenon through the pink noir lens.  It’s uncanny but appealing at the same time.

A full description follows; a few elements should be highlighted.

1. The guest stars are stars. 

They always are.  In this case, we’re gratified to have Valentina Vallay on cast.  She’s a notable and fantastic voice actress.  She also plays the AI voice with sultry and evocative range.  It’s much better to cast a human as AI than the other ways around; that’s particularly true in this case.

2. Midstream is ridiculous.

The Deep Dream State is fiercely independent.  We don’t intend to have real ads for the foreseeable future.  That allows us to have the weird fake ads ever.

About midway through the episode, the most crazed sports podcast ever, Midstream, drops an ad.  This really makes Barstool Sports seem like Infinite Jest.  Highly recommended.

3. The sound design is innovative. 

It’s tough to convey screens and writing and whispers even in TV.  The episode features a lot of passed notes.  That’s communicated with whispers, less filtered, and pencil scratch.  I think it lands and enhances the paranoid atmosphere.

4. The tech is real.

The story is fictional .  We aren’t doing predictive or hard sci fi here.   At the same time, facial analysis for gauging consumer sentiment is real, advancing, and deeply unsettling.

Written & Produced by: Neural Nets and Pretty Patterns

Z – Neural Nets and Pretty Patterns

Synthserv 3.0 – Valentina Vallay

Naia records a private audio log from the garden nest. She’s afraid, and rightly so.

FaceTrace is different from the Calibrex systems: it doesn’t require cooperation. It reads microexpressions, dwell time, the involuntary signals produced before conscious thought has finished forming. The holdfasts inside Vale Four have been trained to pass, but no training accounts for a system that reads the face before the actor knows what they’re about to perform.

Naia names the stakes clearly: the IPO timeline is running, the call option has an expiry, and they cannot afford tells.

Meg, Tessa, and Hespa introduce FaceTrace to the focus group in the conference room. The framing is corporate and precise: contextual metadata, microexpression analysis, dwell time mapping.

Ava works with catechumens and recognizes the structure of confession.  She raises the comparison directly. Tessa affirms the surface resemblance and dismisses it with bloodless. June is welcomed back from her sabbatical and assigned an office next to the recalibration center. Tessa offers her the use of a second desk with an adorable little laptop.

The Midstream Sports advertisement runs.  It is extremely committed to the bit. Neural Nets and Pretty Patterns appears as himself and is removed from the recording for knowing too much about fantasy football :/.  Mr. Mega, Mr. Beefcake, and Hespa explain the product to the correct audience with maximum enthusiasm.

You never change horses in midstream.

June has arranged her office specifically around the plant she calls Seymour. June and Elle assess the FaceTrace threat in private: audio they can manage, video they can fool, but microexpression reading at the level FaceTrace operates is a different problem entirely. The solution is to practice on each other before the real sessions begin. Elle has already acquired the access codes.

June runs Elle through the FaceTrace baseline protocol in the monitor room. The writing whisper technique carries their real communication underneath the performed neutrality: stage whispers stripped of reverb and set apart in the mix, functioning as written notes in audio form. Elle lingers on the wrong images for too long.  June clocks every tell in real time and writes it down.   Elle asks for more pictures – for science. June’s final writing whisper names what she has been watching the whole time. The session ends with both of them knowing considerably more about each other than they did when it started, and with a functional map of where their faces give them away.

Slowplay is the Tell Cycle’s thesis statement delivered as a technical problem.

Every previous arc has used surveillance as a backdrop; here surveillance becomes the plot.  FaceTrace as the instrument that threatens to collapse the distinction between performance and self. The writing whisper technique is the audio drama equivalent of that threat made formal: a layer of communication running underneath the performed layer, visible to the listener but invisible to the system watching the characters.

June and Elle are doing in the monitor room exactly what the show is doing to its audience.

Ava’s confession comparison in the Deal scene is the arc’s most direct articulation of what FaceTrace actually is. Tessa’s response, acknowledging the surface resemblance and dismissing it as coincidence, is the most honest thing anyone at Vale Four says in the Tell Cycle. It’s a surface resemblance; the system underneath is considerably older.

The poster image for this arc is from Sunrise Forever, under the Pixabay license. Layer art overlays are used to vary each iteration of the image. You can find the original here.

Deep Dream State is a desire horror audio drama written and produced by Neural Nets and Pretty Patterns. It explores psychological fiction at the boundaries of control, identity, and complicity. All elements depicted are fictional and intentional. Slowplay contains adult themes, psychological manipulation, surveillance technology, and suggestive content. All performances are works of fiction and take place within a consensual creative context.

ISNI 0000 0005 2877 6254

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