deep electronic music

I still remember it very well — somewhere in Mitte, Berlin, 1994, in some random backyard. I was there with a friend because a guy from Potsdam, DJ René, was playing that night.

And that was the first time I heard Dub Techno — in a completely unpretentious setting, which was rather unusual back then. Yeah, I know, I can’t remember exactly anymore, but I think Oswald or Ernestus were playing there too. Great sound system, no amateurs, and many of the early techno scene’s familiar faces were there.

Back then, I had absolutely no idea just how influential this sound would become. Naturally, I bought pretty much everything from the Oswald / Ernestus camp, and over the years that passion just kept expanding.

But when you go this deep into it, where do you actually get to hear this music? Dub Station Fusion, yes, occasionally — but it’s still pretty rare.

So every now and then, another little gem finds its way into my collection. And at some point, I felt it was time to finally weave some of these pieces together into a vinyl set.

Hope you enjoy it.

1- Somah - white

2- Mathimidori - Kingston Riddim

3- Dialog Versions - Warm

4- 777Hz - #4

5- Dialog Versions - Together

6- Dialog Versions - If You Know

7- Rhythm & Sound - Never Tell You

8- Dialog Versions - Respect

9- Dialog Versions - Book of Life

10- Dialog Versions - Stranger

11- 777Hz - His is Bliss

12- 777Hz - #3

13- Rhythm & Sound - King in my Empire

14- Sven Weisemann - Azuma

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

artwork by https://www.instagram.com/simplepen2/

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!