“I did not start out as a writer interested in organized labor,” Hamilton Nolan writes in The Hammer: Power, Inequality, and the Struggle for the Soul of Labor; “I started out as a writer interested in why America was so fucked up. Why did we have such gargantuan levels of inequality? Why were thousands of homeless people living in the streets of cities where billionaires frolicked in penthouses? Why was it that certain classes of people worked hard their entire lives and stayed poor, just as their parents had been, and just as their children seemed doomed to be? Even while labor unions had fallen almost completely out of the public mind, it turned out that they were central to all our most fundamental problems.” In this live episode of Working People, recorded at Red Emma’s cooperative bookstore, cafe, and community events space in Baltimore on Dec. 6, 2024, Max speaks with Nolan about his new book, what the ongoing war on workers’ rights and unions tells us about the “fucked up” society we’re living in, and what lessons labor can teach us now about how to fight and win, even in the darkest of times. Sara Nelson, International President of the Association of Flight Attendants-CWA, AFL–CIO, also makes a special guest appearance in the second half of the episode. 

Additional links/info below…

• Hamilton’s website, Facebook page, and X page

• Hamilton Nolan, Hachette Books, The Hammer: Power, Inequality, and the Struggle for the Soul of Labor

• Red Emma’s website, Facebook page, and Instagram

• David Dayen, In These Times, “Meet the militant flight attendant leader who threatened a strike—and helped stop Trump’s shutdown”

Permanent links below…

• Leave us a voicemail and we might play it on the show!

• Labor Radio / Podcast Network website, Facebook page, and Twitter page

• In These Times website, Facebook page, and Twitter page

• The Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter page

Featured Music… Jules Taylor, “Working People” Theme Song

 

Studio Production: Max Alvarez Post-Production: Jules Taylor