Hey everyone — this week's episode is one I really enjoyed. Brian Marinari is a real-time rendering engineer at ILM, and his path into games — and then into film — is a genuinely winding one. He's the kind of person who had to be dragged toward what he was great at, mostly by his own curiosity refusing to stay quiet.

We talked about the Atari 2600 game Adventure and how it sparked something in him that never went out. We got into electrical engineering, a near-PhD, a horrible commute, two studio closures, and what it actually means to process hard times in a passion industry — including therapy and medication, which Brian talks about with real openness. I appreciated that.

Highlights:

• Why graphics programming felt like the "two halves finally meshing together" — making the computer do something meaningful, not just making the computer do something
• The sprint review at Big Huge Games where he brought his wife in during crunch — one of the warmest moments in the episode
• What it looked like to step away from games entirely, grieve it, and eventually find the door back in
• How ILM's real-time rendering work for the LED volume is a lateral move from games tech — and why that surprised him
• His honest take on imposter syndrome, mental health, and what it feels like to finally own your curiosity without apologising for it

Go give it a listen. Brian's a thoughtful, honest guest and I think you'll find a lot in it.

Find the Podcast at:

• Spotify
• Patreon
• ⁠RSS⁠
• ⁠Instagram⁠
• ⁠Bluesky⁠
• Threads
• ⁠YouTube⁠
• ⁠Blog⁠
• Email: [email protected]

Find Brian At: 

• https://graphics.social/@bmarinari
• https://bsky.app/profile/bmarinari.bsky.social
• https://www.linkedin.com/in/brian-marinari-b228a21