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Have you ever wondered how much movement is too much movement in an audition?
Have you struggled to find movement that feels authentic to you?
In this episode, Roger Ellis (@rogerellis), head of movement in the MFA Acting Program at Northwestern University, shares how he develops character, creates choreography, and develops a directorial vision through the lens of movement.
He pulls back the curtain on his creative process and reveals the specific tactics he uses to devise choreography, dig deeper into a show’s themes, and how to bring out each actor’s truest self.
Roger Ellis (they/he) is a movement director and filmmaker investigating the mixed reality of Black-queer-aspec experience. Roger is the original director of Nikki Lynette’s Get Out Alive (Steppenwolf, film adaptation, National Alliance for Musical Theatre). Current projects include the documusical series Unhappy Songs About Unhappy Things, sound installation Interstitial and the short film Emergency Contact. Ellis is an assistant professor and head of the movement area for the MFA Acting Program at Northwestern University.
In this interview, we discuss:
I hope you enjoy this fascinating conversation!
Xo,
Korrie
Find more about Roger Ellis at www.movementdesignchicago.com
Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list.
Korrie’s Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song.
Did you enjoy today’s episode? Please Rate, Review, and Subscribe today!
Contact Korrie at [email protected].
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2727 ratings
Have you ever wondered how much movement is too much movement in an audition?
Have you struggled to find movement that feels authentic to you?
In this episode, Roger Ellis (@rogerellis), head of movement in the MFA Acting Program at Northwestern University, shares how he develops character, creates choreography, and develops a directorial vision through the lens of movement.
He pulls back the curtain on his creative process and reveals the specific tactics he uses to devise choreography, dig deeper into a show’s themes, and how to bring out each actor’s truest self.
Roger Ellis (they/he) is a movement director and filmmaker investigating the mixed reality of Black-queer-aspec experience. Roger is the original director of Nikki Lynette’s Get Out Alive (Steppenwolf, film adaptation, National Alliance for Musical Theatre). Current projects include the documusical series Unhappy Songs About Unhappy Things, sound installation Interstitial and the short film Emergency Contact. Ellis is an assistant professor and head of the movement area for the MFA Acting Program at Northwestern University.
In this interview, we discuss:
I hope you enjoy this fascinating conversation!
Xo,
Korrie
Find more about Roger Ellis at www.movementdesignchicago.com
Check out www.korrieyamaoka.com to find info about FREE RESOURCES and AUDITION COACHING, and to sign up for my email list.
Korrie’s Email List - Sign up for weekly resources about auditioning, information on new offerings, and the latest news from Studying the Song.
Did you enjoy today’s episode? Please Rate, Review, and Subscribe today!
Contact Korrie at [email protected].