[School of Movies 2023]
Impressive, silly or impressively silly? Those are just three of the possible responses to this 1997 theological legal thriller with overtones of several flavours of horror, including paranoia, demonic and financial. 
It's the forked tale of a hotshot Florida lawyer named Kevin who has never lost a case, despite representing cartoonishly villainous defendants. He is recruited by a swanky New York legal firm, headed up by a devilishly charismatic fellow with a deep, dark secret. Can you guess what it is?
This was a commissioned show for Greg Downing and it was great fun finally getting our teeth into this overblown Paradise-Lost-meets-Pelican-Brief panto, starring a wildly overacting Al Pacino, Keanu Reeves and a breakout tormented-wife role for a young Charlize Theron.

Devil’s Advocate

Super in-depth analysis of movies (and occasionally TV, and video games). Hosted by veteran podcasters Alex & Sharon Shaw with different guests for round-table chats every week.

TV & Film

[School of Everything Else 2024]
This was a show that was recommended to us a few times, but then wound up an unexpected commissioned episode. Compounding this, Willow has been a lover of this crazy, twisted, queer-friendly HELL for years, since the pilot surfaced on YouTube. They had already seen all eight episodes of Amazon's 2024 first season, and considering a now maturing and emotionally complex Gen Z is the target audience for this, we got Willow on as our special guest.
For the majority of you that haven't delved into Hazbin Hotel (or its brother-series Helluva Boss), it is an animated musical about the ongoing conflict between Heaven and Hell, with the titular hotel being set up by the wildly optimistic Disney-Princess daughter of Lucifer; Charlie Morningstar. Charlie believes the denizens of damnation have it in them to be redeemed and ascend to Paradise, and the hotel is the site of their rehab. Unfortunately the officials of both afterlives are various degrees of incredulous about this plan.
We talk about the whole thing, but I don't consider this as spoiling the experience for newcomers. It can only help you enjoy the show all the more if you listen to this first, and the toe-tapping, frequently genuinely excellent songs will live in your head from now on. If you like The Good Place Good Omens, The Owl House or even Hades, you will find plenty of similar philosophical musing and humour in here.

Hazbin Hotel (Season 1)

[School of Movies 2024]
Statistically speaking, very few of you have seen this movie. Those who have either detest it with utmost derision or love it so much it makes them cry. Garnering a pathetic 11% on Rotten Tomatoes one would think this an unmitigated disaster, easily summed up as "Grown woman remembers imaginary friend, he returns and wrecks her life."
But look at the run time on this one... two and a half hours. And you know us, if we've talked for that long about something so obscure that literally nobody has ever asked us to cover on the show then it means there's something special below the surface which 89% of professional film critics in 1991 either didn't see or meant nothing to them.
So, for everyone who hasn't seen this movie, come along with us, and find out the extent of what was overlooked.

Drop Dead Fred

[School of Movies 2024]
With the new Kingdom of the Planet of the Apes, directed by Maze-Runner helmer Wes Ball emerging this week, we went back to look at a Trilogy that emerged without any overarching grand plan, changing directors after the first instalment, with both men just trying to make the absolute best film they could with the opportunity they had.
And they succeeded! This is one of the best low-key trios of films based on a long-existing franchise that nobody had any real expectations of, and that were easy to overlook in the decade when superheroes ruled the big screen.
You will find out here what the creators' aims were, and the challenges of crafting films like these where the stars won't be in the picture until Weta Digital paint them in, and yet so much of those characters are right there in the human performances. If you ever doubted that Andy Serkis deserved a Best Actor nomination, regardless of digital makeup, this may convince you.

Guest Lecturers Matt Reeves & Rupert Wyatt on Directing the Apes

[School of Movies 2024]
He's responsible for some of the most adored and industry-changing films of all time, and for some of the biggest cases of fan backlash ever recorded. It's maybe a little harder to remember now, after year upon year of Disney's Star Wars being declared the worst thing that has ever been put to screen, but a few years earlier, similar guys were saying similar things about the man that many fans wish had never sold to America's Mousy Spirit of Capitalism.
What we have for you here is a focused collection of monologues drawn from commentaries across all six of the movies he was directly in charge of, bringing you from Star Wars in 1977 all the way to Revenge of the Sith in 2005. The cumulative effect of listening to George say one thing and then seem to contradict himself down the line, regarding what was planned and when gives way to the portrait of a frustrated storyteller hoping to be understood.
These moments are interspersed with monologues from his production teams, including Empire Strikes Back director, his mentor Irvin Kirshner, Empire and Jedi writer Lawrence Kasdan, FX master craftsman Dennis Muren, animation director Rob Coleman, producer Rick McCallum, concept artist Ralph McQuarrie and the irreplaceable Carrie Fisher.

Guest Lecturer: George Lucas on Star Wars

[School of Movies 2024]
This week, I have put together a presentation utilising footage drawn painstakingly from many, many hours worth of commentaries and archival interviews on the Star Wars movies, all focusing on one man.
I worked until the thumb and index finger and on my mouse hand no longer obeyed commands, in order to do justice to the astonishing amount of our experience of those movies is informed upon by the sounds he composed with. His decades of craftsmanship are as crucial to Star Wars as the sensational scores of John Williams. That's not even mentioning Indiana Jones, Willow, WALL-E or E.T.
You'll hear how the most memorable FX (as well as the ones used so subtly we don't even notice) are recorded in the real world to create that lived-in environmental ambience and audible character forever linked with that Galaxy far, far away. Here for your further movie education is one of the greatest and most ground-breaking sound designers in the history of cinema, Mr Ben Burtt.

Devil’s Advocate

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