In the 1910s, Lois Weber was one of the most powerful figures in Hollywood. She wrote, directed, produced, and even starred in films that pushed boundaries, made huge profits, and frequently angered censors. But how well have her morality tales actually held up, and did she ever make anything remotely as good as Suspense, either before or after?

In this episode, Allison, Brett, and Chris walk through her films, from anti-abortion dramas to colossal blockbuster epics, and everything in between, to find out which films still manage to speak to us.

Spoiler: While Brett maintains that Suspense is her only truly impressive work, the film he hates the most is actually Chris' favourite.