Arriving at the end of the nineteen nineties, at exactly the time Martin McDonagh was exploding the Irish national theatre with the first of his Leenane trilogy, Disco Pigs articulated a radical new vision of Irishness. An Irishness deracinated of nationalism, appalled by republicanism, raised on television and clubland. A dissolute Irishness – frozen in … Continue reading Disco Pigs – Episode 10 – Reading Plays