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English has become the lingua franca of the art world, spoken by people of many nationalities from around the globe. But whose English are we speaking? And how does its ambiguous status affect what we say? This panel, chaired by Vicenzo Latronico, explores the issues and proposes some answers.
By FriezeEnglish has become the lingua franca of the art world, spoken by people of many nationalities from around the globe. But whose English are we speaking? And how does its ambiguous status affect what we say? This panel, chaired by Vicenzo Latronico, explores the issues and proposes some answers.