We report from the European Film Market's DocSalon in Berlin, where several filmmakers discussed their work premiering in the Berlinale: Anna Fitch and Banker White, directors of YO (Love Is a Rebellious Bird), which won a Silver Bear for Outstanding Artistic Achievement, and Mark Cousins, director of the 16-chapter The Story of Documentary Film. Hosts John Ridley and Matt Carey also remember late filmmaker Frederick Wiseman, and they examine the implications of Paramount's emergence as the successful bidder for Warner Bros Discovery, home, among other things, to HBO Documentary Films.

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Filmmakers Sara Khaki and Mohammadreza Eyni discuss their 8-year journey making the feature documentary Cutting Through Rocks, which has earned them their first Oscar nominations. The New York-based directors returned to their native Iran to tell the story of a remarkable woman in a rural northwestern part of the country who defied the intensely patriarchal culture to run for a seat on the local council. Cutting Through Rocks, winner of the Grand Jury Prize for World Cinema Documentary at the 2025 Sundance Film Festival, is the only Oscar nominee for Best Feature Documentary still without U.S. distribution, making its success all the more impressive. 

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Oscar winner Morgan Neville's new documentary Man on the Run offers an intimate look at Paul McCartney in the 10 years after he left the Beatles, as he tried to establish a new musical and personal identity after the dissolution of rock n' roll's most iconic band. The filmmaker explains how he approached interviewing Sir Paul to gain fresh insight into the least examined aspect of McCartney's career.

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We're joined by the makers of two Oscar-nominated short documentaries: Joshua Seftel, director of All the Empty Rooms, and Geeta Gandbhir and Christalyn Hampton, directors of The Devil Is Busy (Gandbhir is separately nominated for directing the feature documentary The Perfect Neighbor). Hosts John Ridley and Matt Carey also get into whether the new Melania documentary should be considered a success or a flop.

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Doc Talk reports from  the 2026 Sundance Film Festival, speaking with the directors of Closure, American Doctor, Knife: The Attempted Murder of Salman Rushdie, The Brittney Griner Story, and Jane Elliott Against the World. We also hear from Rushdie, author of The Satanic Verses, and WNBA star Griner about participating in their respective documentaries.

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Hosts John Ridley and Matt Carey react to the Oscar nominations — dominated in the Best Documentary Feature category by films that premiered at Sundance. We also report from the 2026 edition of Sundance, speaking with the makers of Ghost in the Machine (premiereing in the NEXT section) and Joybubbles (premiering in U.S. Documentary Competition).

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Sundance documentary programmers Basil Tsiokos and Sudeep Sharma share insights on the nonfiction film lineup for the 2026 festival, the final one to be held in Park City, Utah. They share their picks for must-see documentary features in competition, NEXT and other sections.

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We're joined by several filmmakers hoping to earn an Oscar nomination for their documentary features: Andrew Jarecki and Charlotte Kaufman, directors of The Alabama Solution; David Borenstein, director of Mr. Nobody Against Putin, and Richard Ladkani, director of Yanuni. In the Yanuni segment, we'll also speak with the producer and protagonist of the film, Brazilian Indigenous activist Juma Xipaia. 

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We explore three shortlisted documentaries: from Come See Me in the Good Light, director Ryan White joins us; director Amber Fares of Coexistence, My Ass! visits Doc Talk studios with the protagonist of her film, Israeli comedian Noam Shuster-Eliassi; and from the short documentary We Were the Scenery, we welcome director Christopher Radcliff.

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Hosts John Ridley and Matt Carey dissect the documentary shortlists for the 98th Academy Awards. There were major snubs (a NatGeo darling and a celebrity-oriented HBO doc) — and surprising inclusions (numerous films without U.S. distribution). Oscar winner Ridley (12 Years a Slave) gets into the documentaries that should have made the cut but didn't.

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