We're joined by the makers of two Oscar-nominated short documentaries: Joshua Seftel, director of All the Empty Rooms, and Geeta Gandbhir and Christalyn Hampton, directors of The Devil Is Busy (Gandbhir is separately nominated for directing the feature documentary The Perfect Neighbor). Hosts John Ridley and Matt Carey also get into whether the new Melania documentary should be considered a success or a flop.

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Doc Talk reports from  the 2026 Sundance Film Festival, speaking with the directors of Closure, American Doctor, Knife: The Attempted Murder of Salman Rushdie, The Brittney Griner Story, and Jane Elliott Against the World. We also hear from Rushdie, author of The Satanic Verses, and WNBA star Griner about participating in their respective documentaries.

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Hosts John Ridley and Matt Carey react to the Oscar nominations — dominated in the Best Documentary Feature category by films that premiered at Sundance. We also report from the 2026 edition of Sundance, speaking with the makers of Ghost in the Machine (premiereing in the NEXT section) and Joybubbles (premiering in U.S. Documentary Competition).

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Sundance documentary programmers Basil Tsiokos and Sudeep Sharma share insights on the nonfiction film lineup for the 2026 festival, the final one to be held in Park City, Utah. They share their picks for must-see documentary features in competition, NEXT and other sections.

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We're joined by several filmmakers hoping to earn an Oscar nomination for their documentary features: Andrew Jarecki and Charlotte Kaufman, directors of The Alabama Solution; David Borenstein, director of Mr. Nobody Against Putin, and Richard Ladkani, director of Yanuni. In the Yanuni segment, we'll also speak with the producer and protagonist of the film, Brazilian Indigenous activist Juma Xipaia. 

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We explore three shortlisted documentaries: from Come See Me in the Good Light, director Ryan White joins us; director Amber Fares of Coexistence, My Ass! visits Doc Talk studios with the protagonist of her film, Israeli comedian Noam Shuster-Eliassi; and from the short documentary We Were the Scenery, we welcome director Christopher Radcliff.

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Hosts John Ridley and Matt Carey dissect the documentary shortlists for the 98th Academy Awards. There were major snubs (a NatGeo darling and a celebrity-oriented HBO doc) — and surprising inclusions (numerous films without U.S. distribution). Oscar winner Ridley (12 Years a Slave) gets into the documentaries that should have made the cut but didn't.

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Filmmakers Victor Kossakofsky and Lynne Sachs join us for a conversation about their latest documentaries, which premiered at IDFA. Kossakovsky's Trillion unfolds in lustrous black and white, without dialogue. Sachs' film, Every Contact Leaves a Trace, begins with her going through a stack of 600 business cards she has collected over decades, and reveals what happens when she reaches out to some of those contacts. Hosts John Ridley and Matt Carey also discuss top documentary titles heading to Sundance 2026. 

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We report from the 41st Annual IDA Documentary Awards in Los Angeles, speaking with newly-minted winners as they come off stage. Joining us are Tamara Kotevska (The Tale of Silyan); Petra Costa and Alessandra Orofino (Apocalypse in the Tropics); Brittany Shyne (Seeds); Alex Megaro (WTO/99), and Jenny Raskin of Impact Partners (winner of the IDA's Pioneer Award). We explore what the IDA validation means for these creatives, as well as the topic on everyone's minds: how the potential merger of Netflix and Warner Bros Discovery would impact documentary filmmakers.

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We speak with the filmmakers behind three of the top contenders in the Oscars' Best Documentary Feature category: The Tale of Silyan, directed by Tamara Kotevska; Put Your Soul on Your Hand and Walk, directed by Sepideh Farsi, and Cover-Up, directed by Laura Poitras and Mark Obenhaus. We caught up with them at SFFILM's Doc Stories in San Francisco, a 4-day film festival that has become  a critical stop during awards season.

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