We report from the 18th Milwaukee Film Festival, speaking two makers of two documentaries in the festival lineup: All of the Above, and Newport and the Great Folk Dream. All of the Above focuses on a world religions class taught in a Chicago public high school, while Newport examines the iconic music festival renowned for performances by Bob Dylan, Joan Baez, Johnny Cash and more.

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Now entering its third year, the American Cinematheque's This Is Not a Fiction festival in Los Angeles has emerged as a major event for documentary lovers. We speak with AC film programmer Cindy Flores about this year's festival, running April 16-24. It will feature some of the greatest names in documentary, including Barbara Kopple, Gianfranco Rosi, Ross McElwee, Caveh Zahedi, and Liz Garbus among many others. The festival also features a robust lineup of mockumentaries, like Best in Show, Popstar: Never Stop Stopping, and Jackass Number Two.

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Doc Talk reports from CPH:DOX in Copenhagen. Artistic Director Niklas Engstrøm shares his highlights from the 2026 edition of the world-class festival and tells us how CPH:DOX keeps politicians at "arms length" to avoid outside interference in the program. And we visit with directors Hansen Lin and Siyi Chen who pitched their documentary Queens Ballroom at the CPH:FORUM.

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Filmmaker Julia Loktev joins us to discuss her award-winning documentary My Undesirable Friends: Part I - Last Air in Moscow, which chronicles the last independent television news source in Russia. The journalists in the film, mostly young women, found themselves treated as enemies of the state for daring to stray outside the bounds of Kremlin-approved reportage, victims of a crackdown on press freedom that only got worse after Russia's full-scale invasion of Ukraine.

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Oscar winner Juliette Binoche speaks about her directorial debut, the documentary In-I In Motion that explores the creative process behind a unique dance and theater project she co-created with dancer-choreographer Akram Khan. The film screened at the Thessaloniki International Documentary Festival in Greece, where we also spoke with Head of Program Yorgos Krassakopoulos.

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Hosts John Ridley and Matt Carey discuss why Mr. Nobody Against Putin prevailed as Best Documentary Feature in an upset at the Oscars. And we talk with makers of two films that just premiered at the True/False documentary festival in Columbia, MO: Josef Gatti, director of Phenomena, and director Naveen Chaubal and producer Bryn Silverman of Pinball.

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Oscar nominee Gianfranco Rosi joins the show to discuss his latest documentary feature, the lustrous Pompei: Below the Clouds, an immesion into Naples, the southern Italian city in the shadow of volcanic Mount Vesuvius. 

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We report from the European Film Market's DocSalon in Berlin, where several filmmakers discussed their work premiering in the Berlinale: Anna Fitch and Banker White, directors of YO (Love Is a Rebellious Bird), which won a Silver Bear for Outstanding Artistic Achievement, and Mark Cousins, director of the 16-chapter The Story of Documentary Film. Hosts John Ridley and Matt Carey also remember late filmmaker Frederick Wiseman, and they examine the implications of Paramount's emergence as the successful bidder for Warner Bros Discovery, home, among other things, to HBO Documentary Films.

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Filmmakers Sara Khaki and Mohammadreza Eyni discuss their 8-year journey making the feature documentary Cutting Through Rocks, which has earned them their first Oscar nominations. The New York-based directors returned to their native Iran to tell the story of a remarkable woman in a rural northwestern part of the country who defied the intensely patriarchal culture to run for a seat on the local council. Cutting Through Rocks, winner of the Grand Jury Prize for World Cinema Documentary at the 2025 Sundance Film Festival, is the only Oscar nominee for Best Feature Documentary still without U.S. distribution, making its success all the more impressive. 

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Oscar winner Morgan Neville's new documentary Man on the Run offers an intimate look at Paul McCartney in the 10 years after he left the Beatles, as he tried to establish a new musical and personal identity after the dissolution of rock n' roll's most iconic band. The filmmaker explains how he approached interviewing Sir Paul to gain fresh insight into the least examined aspect of McCartney's career.

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