Handrecording @DoubleRoom Trieste 27 April 2023

Tristan Honsinger - Cello
Clarissa Durizzotto - Clarinet
Paolo Pascolo - Flutes
Alberto Novello - Modular Synthesizer

Picture by Erin McKinney

Handrecording @DoubleRoom Trieste 27 April 2023 Tristan Honsinger - Cello Clarissa Durizzotto - Clarinet Paolo Pascolo - Flutes Alberto Novello - Modular Synthesizer Picture by Erin McKinney

DPHN

Alberto Novello a.k.a. JesterN’s practice uses found or decontextualized analogue devices to investigate the connections between light and sound in the form of contemplative installations and performances. He repurposes and modifies tools from our analogue past: oscilloscopes, early game consoles, analogue video mixers, and lasers. He is attracted to their intrinsic limitations and strong ‘personalities’: fluid beam movement, vivid colors, infinite resolution, absence of frame rate, and line aesthetics. By using these forgotten devices, he exposes the public to the aesthetic differences between the ubiquitous digital projections and the natural vibrance of analogue beams, engaging them to reflect on the sociopolitical impact of technology in a retrospective on technologisation: what ‘old’ means, and what value the ‘new’ really adds.

His works have been presented at Centre Pompidou in Paris, Museo Reina Sofia Madrid, Amsterdam Dance Event, Venice Biennale, New York Computer Music Festival, Bozar Bruxelles, BOA Biennale Porto, Rewire Festival Den Haag, Glasgow Contemporary Art Center, Dom Moskow, Seoul International Music Festival, Rome University of Fine Arts, to mention a few. He has released records for Staalplat, Bowindo, Elli Records, Dobialabel, Setoladimaiale, Ante-Rasa and Creative Sources.

Music

Alberto Novello a.k.a. JesterN’s practice uses found or decontextualized analogue devices to investigate the connections between light and sound in the form of contemplative installations and performances. He repurposes and modifies tools from our analogue past: oscilloscopes, early game consoles, analogue video mixers, and lasers. He is attracted to their intrinsic limitations and strong ‘personalities’: fluid beam movement, vivid colors, infinite resolution, absence of frame rate, and line aesthetics. By using these forgotten devices, he exposes the public to the aesthetic differences between the ubiquitous digital projections and the natural vibrance of analogue beams, engaging them to reflect on the sociopolitical impact of technology in a retrospective on technologisation: what ‘old’ means, and what value the ‘new’ really adds. His works have been presented at Centre Pompidou in Paris, Museo Reina Sofia Madrid, Amsterdam Dance Event, Venice Biennale, New York Computer Music Festival, Bozar Bruxelles, BOA Biennale Porto, Rewire Festival Den Haag, Glasgow Contemporary Art Center, Dom Moskow, Seoul International Music Festival, Rome University of Fine Arts, to mention a few. He has released records for Staalplat, Bowindo, Elli Records, Dobialabel, Setoladimaiale, Ante-Rasa and Creative Sources.

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DPHN

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