How does a silly goofy comedy take a young director of minor note and launch him into the upper echelon of auteurs to pay attention to in the 60’s? Before he was the patron saint of film bros, Stanley Kubrick was a low budget film stylist, a hired hand for Kirk Douglas’s Spartacus, and a provocateur still in search of the right buttons to push. We talk about how Lolita and Dr. Strangelove attempt to push the envelope in very different ways, and we answer the age-old question — what’s the deal with Peter Sellers?

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