A little more on how Stoker uses the landscape to create serious dread. This time, rather than putting us in an unfamiliar place, he makes our heroine's home feel unfamiliar to her. Now England is even creepier than the Carpathians.Ann Gelder on Mastodon: @annbgelder@zirk.us

A little more on how Stoker uses the landscape to create serious dread. This time, rather than putting us in an unfamiliar place, he makes our heroine's home feel unfamiliar to her. Now England is even creepier than the Carpathians. Ann Gelder on Mastodon: @annbgelder@zirk.us

A little more on how Stoker uses the landscape to create serious dread. This time, rather than putting us in an unfamiliar place, he makes our heroine's home feel unfamiliar to her. Now England is even creepier than the Carpathians.Ann Gelder on Mastodon: @annbgelder@zirk.us

Dracula: The Unsettling Setting, Part II

A fiction writer and recovering academic seeks craft lessons in classic literature. All works are in the public domain and available on https://www.gutenberg.org. The talks are 5-10 minutes, perfect for today's on-the-go author. Earlier and even more pedantic versions of these talks are available on my blog, swerveandvanish.blogspot.com. The podcast is currently on hiatus, but please enjoy the archived episodes!

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A fiction writer and recovering academic seeks craft lessons in classic literature. All works are in the public domain and available on https://www.gutenberg.org. The talks are 5-10 minutes, perfect for today's on-the-go author. Earlier and even more pedantic versions of these talks are available on my blog, swerveandvanish.blogspot.com. The podcast is currently on hiatus, but please enjoy the archived episodes!

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Dracula: The Unsettling Setting, Part II

Dracula: The Unsettling Setting, Part II