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Dragnet 51-12-13 ep131 The Big Overtime

You're interested in more information about the Dragnet radio show – excellent choice! It was a groundbreaking program that left a significant mark on media. Here's a deeper dive into what made it so impactful:

Unprecedented Realism and Procedural Detail
Dragnet was a pioneer in the "police procedural" genre, focusing on the meticulous, step-by-step nature of police work.1 This was a stark contrast to the often melodramatic private-detective stories prevalent on radio at the time.

Based on Actual Cases: Creator Jack Webb worked closely with the Los Angeles Police Department (LAPD). Many episodes were based on real case files, giving the show an air of authenticity. They even used the LAPD's actual radio call sign (KMA367) and names of real department officials.
"Just the Facts": Sergeant Joe Friday's famous (though slightly misquoted) line, "Just the facts, ma'am," encapsulates the show's no-nonsense approach. The dialogue was clipped, understated, and sparse, influenced by "hard-boiled" crime fiction.
Attention to Detail: Webb was a perfectionist when it came to accurate details. He insisted on precise sound effects, which were considered among the best in radio history. The show would chronicle every aspect of police work, from patrols and paperwork to crime scene investigation, lab work, and questioning.
Docudrama Format: The show adopted a semi-documentary style, often starting with the iconic narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This format blurred the lines between fiction and reality, drawing audiences in.
Cultural Impact and Legacy
Dragnet's influence extends far beyond its initial run:

Defining the Police Procedural: It set the standard for how police work would be depicted in radio, television, and film, influencing countless crime dramas that followed.
Improving Public Perception of Police: Jack Webb's goal was to show police officers in a more realistic and favorable light. The show often highlighted the dedication, danger, and drudgery of their jobs, earning praise for improving public opinion of law enforcement.
Iconic Catchphrases and Music: Beyond "Just the facts, ma'am," the ominous four-note brass and tympani theme music (titled "Danger Ahead" by Walter Schumann) is instantly recognizable and has become synonymous with the crime drama genre.
Enduring Appeal: Dragnet has been revived multiple times in television and film, demonstrating its lasting appeal. Its style, tone, and fact-first storytelling remain influential.
Characters and Cast
Sergeant Joe Friday (Jack Webb): The central figure, known for his stoic demeanor, methodical approach, and dedication to the job. Friday was initially portrayed as more brash but evolved into the "cop's cop" character familiar to audiences.
Sergeant Ben Romero (Barton Yarborough): Friday's first partner on the radio show. Romero was a family man who often provided some comic relief by complaining about inconveniences or domestic issues. Sadly, Barton Yarborough passed away in 1951, which was written into the show as Romero's death from a heart attack.
Subsequent Partners: After Romero, Friday had other partners, including Sergeant Ed Jacobs (Barney Phillips) and later Officer Frank Smith (Herb Ellis, then most famously Ben Alexander), who would also join Friday in the popular television adaptation.
Production and Style
Jack Webb's Vision: Webb was a meticulous creator and producer who aimed for "realism and unpretentious acting." He ensured that dialogue was clipped and effective, and scripts were fast-moving without feeling rushed.
Sound Effects: The show's use of sound effects was innovative and crucial to its realism. Complex scenes involving various locations and interactions were brought to life through detailed audio.
Top-Rated Show: Once Dragnet found its stride, it became one of radio's top-rated programs, captivating millions of listeners with its unique blend of authenticity and compelling storytelling.
Dragnet was more than just entertainment; it was a cultural phenomenon that reshaped how audiences perceived crime and law enforcement, leaving an indelible mark on the landscape of popular media.

﻿Listen to our radio station Old Time Radio https://link.radioking.com/otradio

Listen to other Shows at My Classic Radio https://www.myclassicradio.net/

Entertainment Radio | Broadcasting Classic Radio Shows | Patreon

Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

Fiction

Drama

You're interested in more information about the Dragnet radio show – excellent choice! It was a groundbreaking program that left a significant mark on media. Here's a deeper dive into what made it so impactful: Unprecedented Realism and Procedural Detail Dragnet was a pioneer in the "police procedural" genre, focusing on the meticulous, step-by-step nature of police work.1 This was a stark contrast to the often melodramatic private-detective stories prevalent on radio at the time. Based on Actual Cases: Creator Jack Webb worked closely with the Los Angeles Police Department (LAPD). Many episodes were based on real case files, giving the show an air of authenticity. They even used the LAPD's actual radio call sign (KMA367) and names of real department officials. "Just the Facts": Sergeant Joe Friday's famous (though slightly misquoted) line, "Just the facts, ma'am," encapsulates the show's no-nonsense approach. The dialogue was clipped, understated, and sparse, influenced by "hard-boiled" crime fiction. Attention to Detail: Webb was a perfectionist when it came to accurate details. He insisted on precise sound effects, which were considered among the best in radio history. The show would chronicle every aspect of police work, from patrols and paperwork to crime scene investigation, lab work, and questioning. Docudrama Format: The show adopted a semi-documentary style, often starting with the iconic narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This format blurred the lines between fiction and reality, drawing audiences in. Cultural Impact and Legacy Dragnet's influence extends far beyond its initial run: Defining the Police Procedural: It set the standard for how police work would be depicted in radio, television, and film, influencing countless crime dramas that followed. Improving Public Perception of Police: Jack Webb's goal was to show police officers in a more realistic and favorable light. The show often highlighted the dedication, danger, and drudgery of their jobs, earning praise for improving public opinion of law enforcement. Iconic Catchphrases and Music: Beyond "Just the facts, ma'am," the ominous four-note brass and tympani theme music (titled "Danger Ahead" by Walter Schumann) is instantly recognizable and has become synonymous with the crime drama genre. Enduring Appeal: Dragnet has been revived multiple times in television and film, demonstrating its lasting appeal. Its style, tone, and fact-first storytelling remain influential. Characters and Cast Sergeant Joe Friday (Jack Webb): The central figure, known for his stoic demeanor, methodical approach, and dedication to the job. Friday was initially portrayed as more brash but evolved into the "cop's cop" character familiar to audiences. Sergeant Ben Romero (Barton Yarborough): Friday's first partner on the radio show. Romero was a family man who often provided some comic relief by complaining about inconveniences or domestic issues. Sadly, Barton Yarborough passed away in 1951, which was written into the show as Romero's death from a heart attack. Subsequent Partners: After Romero, Friday had other partners, including Sergeant Ed Jacobs (Barney Phillips) and later Officer Frank Smith (Herb Ellis, then most famously Ben Alexander), who would also join Friday in the popular television adaptation. Production and Style Jack Webb's Vision: Webb was a meticulous creator and producer who aimed for "realism and unpretentious acting." He ensured that dialogue was clipped and effective, and scripts were fast-moving without feeling rushed. Sound Effects: The show's use of sound effects was innovative and crucial to its realism. Complex scenes involving various locations and interactions were brought to life through detailed audio. Top-Rated Show: Once Dragnet found its stride, it became one of radio's top-rated programs, captivating millions of listeners with its unique blend of authenticity and compelling storytelling. Dragnet was more than just entertainment; it was a cultural phenomenon that reshaped how audiences perceived crime and law enforcement, leaving an indelible mark on the landscape of popular media. ﻿Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Entertainment Radio | Broadcasting Classic Radio Shows | Patreon Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

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Dragnet 51-12-13 ep131 The Big Overtime

Dragnet 51-12-13 ep131 The Big Overtime