Flawd and Meaux push back against what they see as an anti-Drake bias and breaking down why they judge the conversation by music, not mob mentality. They praise Iceman for its variety, rollout, timestamp tracks, standout songs like National Treasure, Janice, Dust, and Shebang, while also unpacking Drake’s industry power, UMG situation, “Drake Derangement Syndrome,” the White House using Drake's music for content, & more.