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DRIFTING - Keyboard Improvisation | AsteriskedMusic.com
Drifting
This short keyboard improvisation depicts a feeling of drifting; letting go, and just letting the currents that are present in your life just sweep you along where they will. The title describes the experience I'm trying to communicate by the piece. It's a feeling of drifting down a river, not knowing, or even much caring where you end up. Every now and then, you have to take a break from constant goal-oriented activity and just drift. When you drift and turn off your consciousness momentarily, you are able to get out of your perspective for a while. This is an important practice. You can get so wrapped up in what you think is important. If you're not careful, you can end up never stopping to reevaluate your direction. You can only really do that if you just let go and drift every now and then.
The Jewish people believe in practicing the Sabbath. I submit that that practice is a form of spiritual drifting. We should all have a Sabbath day to let go for just a little while and drift so that we can truly collect ourselves.
Some Notes on Drifting
The piece is multi-modal with a single tonal center (E flat). It starts off with some descending minor seconds, that keep you guessing about the tonal center for a couple bars, before the initial, un-harmonized melody resolves in such a way as to make that clear. Polyphonic strands are introduced at intervals, and they sometimes dissolve into a supporting harmony, and sometimes, they emerge in parallel octaves and fifths, like accelerating bottlenecks of current. By and large, the piece is focused more on the higher registers, to give the piece a lonesome, melancholy feel. The melody is almost Gregorian at times, in that it evenly spaced, without too many large jumps, but is measured in unusual time signatures, and sometimes breaks into less regulated rhythms, as the drifting speeds up and slows down on its own. The piece ends on a jazz-like unresolved dissonance.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
Follow me on Steemit: https://steemit.com/@pjcomposer
Join the conversation on my site: http://pjcornell.com
This short keyboard improvisation depicts a feeling of drifting; letting go, and just letting the currents that are present in your life just sweep you along where they will. The title describes the experience I'm trying to communicate by the piece. It's a feeling of drifting down a river, not knowing, or even much caring where you end up. Every now and then, you have to take a break from constant goal-oriented activity and just drift. When you drift and turn off your consciousness momentarily, you are able to get out of your perspective for a while. This is an important practice. You can get so wrapped up in what you think is important. If you're not careful, you can end up never stopping to reevaluate your direction. You can only really do that if you just let go and drift every now and then.
The Jewish people believe in practicing the Sabbath. I submit that that practice is a form of spiritual drifting. We should all have a Sabbath day to let go for just a little while and drift so that we can truly collect ourselves.
Some Notes on Drifting
The piece is multi-modal with a single tonal center (E flat). It starts off with some descending minor seconds, that keep you guessing about the tonal center for a couple bars, before the initial, un-harmonized melody resolves in such a way as to make that clear. Polyphonic strands are introduced at intervals, and they sometimes dissolve into a supporting harmony, and sometimes, they emerge in parallel octaves and fifths, like accelerating bottlenecks of current. By and large, the piece is focused more on the higher registers, to give the piece a lonesome, melancholy feel. The melody is almost Gregorian at times, in that it evenly spaced, without too many large jumps, but is measured in unusual time signatures, and sometimes breaks into less regulated rhythms, as the drifting speeds up and slows down on its own. The piece ends on a jazz-like unresolved dissonance.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
Follow me on Steemit: https://steemit.com/@pjcomposer
Join the conversation on my site: http://pjcornell.com
View all episodes
By PJ Cornell
5
22 ratings
Drifting
This short keyboard improvisation depicts a feeling of drifting; letting go, and just letting the currents that are present in your life just sweep you along where they will. The title describes the experience I'm trying to communicate by the piece. It's a feeling of drifting down a river, not knowing, or even much caring where you end up. Every now and then, you have to take a break from constant goal-oriented activity and just drift. When you drift and turn off your consciousness momentarily, you are able to get out of your perspective for a while. This is an important practice. You can get so wrapped up in what you think is important. If you're not careful, you can end up never stopping to reevaluate your direction. You can only really do that if you just let go and drift every now and then.
The Jewish people believe in practicing the Sabbath. I submit that that practice is a form of spiritual drifting. We should all have a Sabbath day to let go for just a little while and drift so that we can truly collect ourselves.
Some Notes on Drifting
The piece is multi-modal with a single tonal center (E flat). It starts off with some descending minor seconds, that keep you guessing about the tonal center for a couple bars, before the initial, un-harmonized melody resolves in such a way as to make that clear. Polyphonic strands are introduced at intervals, and they sometimes dissolve into a supporting harmony, and sometimes, they emerge in parallel octaves and fifths, like accelerating bottlenecks of current. By and large, the piece is focused more on the higher registers, to give the piece a lonesome, melancholy feel. The melody is almost Gregorian at times, in that it evenly spaced, without too many large jumps, but is measured in unusual time signatures, and sometimes breaks into less regulated rhythms, as the drifting speeds up and slows down on its own. The piece ends on a jazz-like unresolved dissonance.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
Follow me on Steemit: https://steemit.com/@pjcomposer
Join the conversation on my site: http://pjcornell.com
This short keyboard improvisation depicts a feeling of drifting; letting go, and just letting the currents that are present in your life just sweep you along where they will. The title describes the experience I'm trying to communicate by the piece. It's a feeling of drifting down a river, not knowing, or even much caring where you end up. Every now and then, you have to take a break from constant goal-oriented activity and just drift. When you drift and turn off your consciousness momentarily, you are able to get out of your perspective for a while. This is an important practice. You can get so wrapped up in what you think is important. If you're not careful, you can end up never stopping to reevaluate your direction. You can only really do that if you just let go and drift every now and then.
The Jewish people believe in practicing the Sabbath. I submit that that practice is a form of spiritual drifting. We should all have a Sabbath day to let go for just a little while and drift so that we can truly collect ourselves.
Some Notes on Drifting
The piece is multi-modal with a single tonal center (E flat). It starts off with some descending minor seconds, that keep you guessing about the tonal center for a couple bars, before the initial, un-harmonized melody resolves in such a way as to make that clear. Polyphonic strands are introduced at intervals, and they sometimes dissolve into a supporting harmony, and sometimes, they emerge in parallel octaves and fifths, like accelerating bottlenecks of current. By and large, the piece is focused more on the higher registers, to give the piece a lonesome, melancholy feel. The melody is almost Gregorian at times, in that it evenly spaced, without too many large jumps, but is measured in unusual time signatures, and sometimes breaks into less regulated rhythms, as the drifting speeds up and slows down on its own. The piece ends on a jazz-like unresolved dissonance.
Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner.
Only the latest episodes of this show are available on iTunes and Soundcloud. To locate archives of this podcast, visit: http://pjcornell.com/category/asterisked-music/piano-podcast
Follow me on Soundcloud: https://soundcloud.com/pj-cornell
Follow me on iTunes: (Asterisk Piano Podcast)
Follow me on Steemit: https://steemit.com/@pjcomposer
Join the conversation on my site: http://pjcornell.com