Sign up to save your podcasts
Or
Share E21 - When Displacement Learns to Sway (Siraj Shawa)
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
E21 - When Displacement Learns to Sway (Siraj Shawa)
As part of the GAZA BIENNALE BERLIN PAVILLION we present Siraj Shawa's "Nazeh: When Displacement Learns to Sway"
Siraj Shawa is an electronic music producer and beat box artist, born in Gaza in 1993.
GAZA BIENNALE BERLIN PAVILLION, November 21 to December 21, 2025
Exhibitions: Flutgraben, Khan Aljanub, AGIT, MBC
Public programs: Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28
The Gaza Biennale, an art project rooted in displacement, scatters like seeds around the world to create new hybrids. Through repetition and reproduction, artworks survive the destruction of a genocidal war machine and reappear by virtue of partnerships in different parts of the world. Transcending territory, the Gaza Biennale expands through a human topography that cannot possibly be besieged.
Defying genocide, Gazan artists have continued creating, resisting seemingly endless displacements, bombardments, and forced starvation through their art. Initiated in partnership with the Al Risan Art Museum (Forbidden Museum) in the West Bank, the Gaza Biennale sends their message out into the world.
Arriving in Berlin on November 21, 2025, the Berlin Pavilion will open across different venues in the city to show the works of over thirty artists. It unfolds with exhibitions at sites including Flutgraben, Agit, and Khan Aljanub, and with programs hosted at Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28, as well as around the streets of Berlin.
With a collaboratively curated public program, it invites people of all ages and backgrounds to join in these gatherings to practice listening, healing, and mourning; to share joy and sorrow; and to cultivate a communal strength that will ultimately be the key to dismantling oppressive systems based on fragmentation and extractivism—structural relics that lie at the root of the occupation of Palestine and colonial violence worldwide.
The Berlin Pavilion seeks not to become a static exhibition but an evolving platform that continuously initiates its own actions. Refusing to lament the failure of official infrastructures, the Berlin Pavilion builds a new one: an infrastructure made from and by the community, small in its constituent parts, but endlessly expansive in its unity.
Siraj Shawa is an electronic music producer and beat box artist, born in Gaza in 1993.
GAZA BIENNALE BERLIN PAVILLION, November 21 to December 21, 2025
Exhibitions: Flutgraben, Khan Aljanub, AGIT, MBC
Public programs: Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28
The Gaza Biennale, an art project rooted in displacement, scatters like seeds around the world to create new hybrids. Through repetition and reproduction, artworks survive the destruction of a genocidal war machine and reappear by virtue of partnerships in different parts of the world. Transcending territory, the Gaza Biennale expands through a human topography that cannot possibly be besieged.
Defying genocide, Gazan artists have continued creating, resisting seemingly endless displacements, bombardments, and forced starvation through their art. Initiated in partnership with the Al Risan Art Museum (Forbidden Museum) in the West Bank, the Gaza Biennale sends their message out into the world.
Arriving in Berlin on November 21, 2025, the Berlin Pavilion will open across different venues in the city to show the works of over thirty artists. It unfolds with exhibitions at sites including Flutgraben, Agit, and Khan Aljanub, and with programs hosted at Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28, as well as around the streets of Berlin.
With a collaboratively curated public program, it invites people of all ages and backgrounds to join in these gatherings to practice listening, healing, and mourning; to share joy and sorrow; and to cultivate a communal strength that will ultimately be the key to dismantling oppressive systems based on fragmentation and extractivism—structural relics that lie at the root of the occupation of Palestine and colonial violence worldwide.
The Berlin Pavilion seeks not to become a static exhibition but an evolving platform that continuously initiates its own actions. Refusing to lament the failure of official infrastructures, the Berlin Pavilion builds a new one: an infrastructure made from and by the community, small in its constituent parts, but endlessly expansive in its unity.
View all episodes
By firefly frequenciesAs part of the GAZA BIENNALE BERLIN PAVILLION we present Siraj Shawa's "Nazeh: When Displacement Learns to Sway"
Siraj Shawa is an electronic music producer and beat box artist, born in Gaza in 1993.
GAZA BIENNALE BERLIN PAVILLION, November 21 to December 21, 2025
Exhibitions: Flutgraben, Khan Aljanub, AGIT, MBC
Public programs: Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28
The Gaza Biennale, an art project rooted in displacement, scatters like seeds around the world to create new hybrids. Through repetition and reproduction, artworks survive the destruction of a genocidal war machine and reappear by virtue of partnerships in different parts of the world. Transcending territory, the Gaza Biennale expands through a human topography that cannot possibly be besieged.
Defying genocide, Gazan artists have continued creating, resisting seemingly endless displacements, bombardments, and forced starvation through their art. Initiated in partnership with the Al Risan Art Museum (Forbidden Museum) in the West Bank, the Gaza Biennale sends their message out into the world.
Arriving in Berlin on November 21, 2025, the Berlin Pavilion will open across different venues in the city to show the works of over thirty artists. It unfolds with exhibitions at sites including Flutgraben, Agit, and Khan Aljanub, and with programs hosted at Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28, as well as around the streets of Berlin.
With a collaboratively curated public program, it invites people of all ages and backgrounds to join in these gatherings to practice listening, healing, and mourning; to share joy and sorrow; and to cultivate a communal strength that will ultimately be the key to dismantling oppressive systems based on fragmentation and extractivism—structural relics that lie at the root of the occupation of Palestine and colonial violence worldwide.
The Berlin Pavilion seeks not to become a static exhibition but an evolving platform that continuously initiates its own actions. Refusing to lament the failure of official infrastructures, the Berlin Pavilion builds a new one: an infrastructure made from and by the community, small in its constituent parts, but endlessly expansive in its unity.
Siraj Shawa is an electronic music producer and beat box artist, born in Gaza in 1993.
GAZA BIENNALE BERLIN PAVILLION, November 21 to December 21, 2025
Exhibitions: Flutgraben, Khan Aljanub, AGIT, MBC
Public programs: Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28
The Gaza Biennale, an art project rooted in displacement, scatters like seeds around the world to create new hybrids. Through repetition and reproduction, artworks survive the destruction of a genocidal war machine and reappear by virtue of partnerships in different parts of the world. Transcending territory, the Gaza Biennale expands through a human topography that cannot possibly be besieged.
Defying genocide, Gazan artists have continued creating, resisting seemingly endless displacements, bombardments, and forced starvation through their art. Initiated in partnership with the Al Risan Art Museum (Forbidden Museum) in the West Bank, the Gaza Biennale sends their message out into the world.
Arriving in Berlin on November 21, 2025, the Berlin Pavilion will open across different venues in the city to show the works of over thirty artists. It unfolds with exhibitions at sites including Flutgraben, Agit, and Khan Aljanub, and with programs hosted at Galerie & Atelier Arabisk, Casino for Social Medicine, Spore Initiative, and KM28, as well as around the streets of Berlin.
With a collaboratively curated public program, it invites people of all ages and backgrounds to join in these gatherings to practice listening, healing, and mourning; to share joy and sorrow; and to cultivate a communal strength that will ultimately be the key to dismantling oppressive systems based on fragmentation and extractivism—structural relics that lie at the root of the occupation of Palestine and colonial violence worldwide.
The Berlin Pavilion seeks not to become a static exhibition but an evolving platform that continuously initiates its own actions. Refusing to lament the failure of official infrastructures, the Berlin Pavilion builds a new one: an infrastructure made from and by the community, small in its constituent parts, but endlessly expansive in its unity.