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Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship.
In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it's the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older brother's death in BACK HOME, each of these films was made with powerful bravery and is sublime in its own way.
By Canadian Cinema Editors4.5
22 ratings
Documentary has the power and versatility in exploring urgent social subject matters, yet it can also embrace an intimate first-person narrative, or even become an experimentation of cinematic craftsmanship.
In this episode we invited the editors from three critically acclaimed Canadian documentaries. Whether it's the sensory and cinematic collaboration between a filmmaker and a naturalist on Sable Island (GEOGRAPHIES OF SOLITUDE), the eye-opening testimony from the Coloured Hockey League about the untold history of racism in ice hockey (BLACK ICE) or the heart-wrenching revisit of her older brother's death in BACK HOME, each of these films was made with powerful bravery and is sublime in its own way.

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