We've talked about characters, and we've plumbed the depths of plot, but what if the story you're telling is actually one piece of a bigger puzzle, a series? How does editing in light of a series differ from sanding off the rough edges of a standalone story? When is it appropriate to start building a series bible? How do you keep characters consistent, yet growing from one part of the series to the next? We'll debate the finer points this week with special guest Richard Fox.

Editing In The Context Of A Series... Or How Does This Piece Fit? | SCC 72

Story Crafters talking about the magic of storytelling and giving you the tools to craft your story. We’re launching a new kind of online writing community.
One where we can all find support, encouragement, ideas, and inspiration. A place where we can all write together. A place where we can celebrate failures and successes, find mentors, and work together to get published.

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TERRY BROOKS was born in Illinois in 1944. He spent a great deal of his childhood  and early adulthood dreaming up stories in and around Sinnissippi Park,  the very same setting for Running with the Demon. He received  his undergraduate degree from Hamilton College, where he majored in  English Literature, and went on to earn his graduate degree from the  School of Law at Washington & Lee University.
A writer since high school and heavily influenced by William Faulkner, it took him seven years to finish writing The Sword of Shannara, which published in 1977. It became the first work of fiction to ever appear on the New York Times trade paperback bestseller list, where it remained for over five months.
He published The Elfstones of Shannara in 1982 and The Wishsong of Shannara in 1985, both bestsellers.
Since that time, he has written numerous novels in the Shannara,  Landover, Word/Void, and Viridian Deep series, including being hand-selected by George  Lucas to write the novelization of Star Wars: The Phantom Menace, which hit #1 on the New York Times bestseller list.
Terry Brooks lives with his wife Judine in the Pacific Northwest and on the road meeting his fans.
SOMETIMES THE MAGIC WORKSTo read an autobiography of Terry Brooks, please discover his memoir and writing guide, Sometimes the Magic Works.

A Fantasy Legend Pushes The Genre Into The Future With Terry Brooks | SCC 137

This book is a hands-on manual for crafting your story, and we hope you enjoy working through it.  This book has been split into two distinct parts to help you in your writing journey. Part One is all about the things you should be doing before you even get started on a draft or an outline. In this first part, I’m going to be covering the foundational knowledge of a book: what a book is, figuring out your genre and subgenre, and more. I’ll also be talking about the mindset of a writer, what you need to write your book, and where you’ll be writing. Finally, I’ll wrap up Part One with the basics of plotting and planning. Just the idea of planning might make some of you groan, so chill out for a second, because I have ways of outlining and structuring for those who love to plan and those who absolutely hate it.  Part Two is where we get to the good stuff: writing your first draft. I’ll go over the key elements of a kickass book, as well as the more technical stuff like point of view, active and passive voice, and more. Together we’ll do a deep dive into what it takes to make the perfect plot, compelling characters, and tantalizing themes. And I’ll even help you out with ways to actually get your book written (again, it’s a long, sometimes difficult journey) and what to do when you encounter setbacks like the dreaded writer’s block. Don’t worry, it’s not as scary as it sounds.

Let’s Write A Book Chapter 3 | SCC 136

Let’s Write A Book Chapter 2 | SCC 135

This book is a hands-on manual for crafting your story, and we hope you enjoy working through it. 
 
This book has been split into two distinct parts to help you in your writing journey. Part One is all about the things you should be doing before you even get started on a draft or an outline. In this first part, I’m going to be covering the foundational knowledge of a book: what a book is, figuring out your genre and subgenre, and more. I’ll also be talking about the mindset of a writer, what you need to write your book, and where you’ll be writing. Finally, I’ll wrap up Part One with the basics of plotting and planning. Just the idea of planning might make some of you groan, so chill out for a second, because I have ways of outlining and structuring for those who love to plan and those who absolutely hate it. 
 
Part Two is where we get to the good stuff: writing your first draft. I’ll go over the key elements of a kickass book, as well as the more technical stuff like point of view, active and passive voice, and more. Together we’ll do a deep dive into what it takes to make the perfect plot, compelling characters, and tantalizing themes. And I’ll even help you out with ways to actually get your book written (again, it’s a long, sometimes difficult journey) and what to do when you encounter setbacks like the dreaded writer’s block. Don’t worry, it’s not as scary as it sounds.

Let’s Write A Book Chapter 1 | SCC 134

The Golden Spoon: A Novel
“This delicious combination of Clue and The Great British Bakeoff kept me turning the pages all night!” —Janet Evanovich, #1 New York Times bestselling author
Only Murders in the Building meets The Maid in this darkly beguiling locked-room mystery where someone turns up dead on the set of TV’s hottest baking competition—perfect for fans of Nita Prose, Richard Osman, and Anthony Horowitz.
Every summer for the past ten years, six awe-struck bakers have descended on the grounds of Grafton, the leafy and imposing Vermont estate that is not only the filming site for “Bake Week” but also the childhood home of the show’s famous host, celebrated baker Betsy Martin.
The author of numerous bestselling cookbooks and hailed as “America’s Grandmother,” Betsy Martin isn’t as warm off-screen as on, though no one needs to know that but her. She has always demanded perfection, and gotten it with a smile, but this year something is off. As the baking competition commences, things begin to go awry. At first, it’s merely sabotage—sugar replaced with salt, a burner turned to high—but when a body is discovered, everyone is a suspect.
A sharp and suspenseful thriller for mystery buffs and avid bakers alike, The Golden Spoon is a brilliant puzzle filled with shocking twists and turns that will keep you reading late into the night until you turn the very last page of this incredible debut.
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Editing In The Context Of A Series... Or How Does This Piece Fit? | SCC 72

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