This is the second of two episodes focusing on Film Phenomenologies, a new collection of essays from Edinburgh University Press edited by Dr Kelli Fuery (Chapman University).
Host Dr Pasquale Iannone is joined by Professor Lucy Bolton (Queen Mary University of London) and Dr David Sorfa (University of Edinburgh) to discuss their essays, both of which explore recent star biopics from phenomenological perspectives.
Lucy discusses her piece 'The Posthumous Phenomenology of the Star Biopic: Kristen Stewart as Jean Seberg in Seberg (2019)' while David tells Pasquale about his chapter 'The Assassination of Marilyn Monroe by the Coward Andrew Dominik' which takes a Sartrean approach to the controversial 2022 film Blonde.
While this episode is stand-alone, the previous episode features editor Kelli in conversation with Pasquale. She unpacks the concept behind the collection, provides an overview of all 13 chapters and takes a closer look at her own essay, 'The Khôra-Screen: Responsibility as a Precarious Intimacy in Agnès Varda’s One Sings, the Other Doesn’t (1977).