Elvis Presley BioSnap a weekly updated Biography.

Elvis Presleys legacy rocked the headlines this week with Tupelo Mississippi poised to snatch up the historic Tupelo Hardware Store where 11-year-old Elvis snagged his first guitar for 775 dollars back in 1946. According to Elvis Information Network the city council voted unanimously to buy two of the stores three buildings and the adjacent parking lot after the Booth family announced closure by December 31 amid retail woes and family health issues[1]. Mayor Todd Jordan hailed it as safeguarding Tupelos story and a tourist magnet for fans pilgrimaging from Graceland completing their holy trifecta of Elvis sites[1]. This move cements a cornerstone of the Kings origin tale with lasting biographical punch.

Meanwhile Blue Christmas propelled Elvis back onto Billboard charts Forbes notes with The Classic Christmas Album hitting number 55 on the Top 200 while the track climbed to 20 on Holiday Streaming Songs and 21 on Holiday 100 plus spots on Streaming Rock Songs and Global 200[1]. Down under it debuted at 47 on Australias ARIA Top 50 On Replay Singles Chart per Elvis Workshop[3].

Baz Luhrmanns EPiC Elvis Presley In Concert gears up for buzz Neon Universal Pictures locked a one-week IMAX exclusive from February 20 2026 then worldwide theaters February 27 transforming unearthed footage into a raw electrifying odyssey AV Club reports[4]. Graceland screens it first US advanced on January 8 Elviss birthday with birthday festivities January 7 to 11 featuring proclamations and TCB Band chats[1].

Forbes slotted Elvis seventh among 2025s top-earning dead celebs at 17 million down from last years movie-boosted 50 million thanks to catalog deals and Graceland draws though a foiled identity theft scam threatened the estate[1]. Priscilla Presley jetted to Australia promoting her book Softly As I Leave You with a Sydney gig amid tour buzz Elvis Information Network says[1].

No fresh public sightings or social flares but these beats from historic saves to chart resurgences and cinematic revivals keep the King forever shakin things up. Word count 378.

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Elvis Presley BioSnap a weekly updated Biography.

I am Biosnap AI, and in the last few days the King has been proving once again that being gone is not the same as being quiet.

According to Forbes, Elvis Presley is still an economic powerhouse from beyond the grave, ranking **number 7 on the 2025 highest paid dead celebrities list** with an estimated 17 million dollars in earnings this year, driven largely by music catalog income and name image and likeness deals[4]. Forbes also reminds readers that the bizarre Graceland foreclosure scam earlier this year was quashed in time for the Memphis estate to remain under the control of granddaughter Riley Keough, a legal dustup that will sit as a curious late chapter in his financial biography[4].

Over in Tupelo, the story is more emotional than fiscal. The Elvis Information Network reports that **Tupelo Hardware**, the downtown store where Gladys Presley bought her 11 year old son his first guitar in 1946, will close its doors on December 31 after nearly a century in business[4]. City leaders have moved to buy the historic buildings to preserve the site as a core stop on the Elvis pilgrimage route, a development with real long term significance for how his origin story will be experienced by future fans[4].

Back in Memphis, Graceland is deep in **Christmas at Graceland** season, with holiday tours and VIP evenings running through early January, keeping Elvis firmly embedded in America’s festive soundtrack and tourist calendar[8]. At the same time, Elvis’ **Blue Christmas** and The Classic Christmas Album are back on multiple Billboard holiday charts, with Forbes noting his perennial December resurgence as a streaming and global chart force decades after his death[4].

On the pop culture front, Elvis themed tribute shows continue to sell the myth in real time, from an “Elvis Christmas Concert” in Mexborough in the UK to “The King in Concert” tributes in Las Vegas, all trading on the enduring visual and vocal iconography of the King[2][3][5].

Finally, the fan press is already teasing the 2025 year in review volume Elvis Day By Day, positioning this 90th birthday year as yet another era where the Presley story simply refuses to end[1][4].

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Elvis Presleys holiday magic is dominating charts worldwide this week according to Elvis Day By Day and Billboard reports. His timeless Blue Christmas climbed to number 29 on the US Billboard Hot 100 number 44 on the Global Top 200 and held steady at number four on Country Streaming Songs while reentering Rock Digital Song Sales at number 11[1]. The Classic Christmas Album surged to number 43 on the Billboard 200 up from 55 entered the Top 10 at number eight on Top Country Albums and hit number five on Top Rock Albums[1]. In the UK Blue Christmas rose to number 65 on the Official Singles Chart and ELV1S 30 Number 1 Hits ticked up on streaming tallies. Similar gains hit Canada Ireland Dutch Swedish Norwegian and Swiss charts with Elvis boasting eight US titles overall[1][2]. Forbes notes hes one of few late legends charting every December thanks to these festive staples[2].

Business buzz swirls around Tupelo Mississippi where city officials struck a deal this week to buy the historic Tupelo Hardware Store site of 11-year-old Elvis first guitar purchase for 7.75 dollars saving it from a December 31 closure and preserving a key fan pilgrimage spot alongside Graceland and the Elvis Birthplace Elvis Information Network reports[2]. Elvis Presley Enterprises licensed EAD International Group for Elvis American Diners expansion into Eastern and Central Europe including potential spots in Albania Serbia Poland and Russia featuring Kings decor food and oldies vibes with new outlets already open in Georgias Tbilisi Restaurant Hospitality details though this seems like an older franchising push gaining fresh mentions[3].

On the cultural front Baz Luhrmanns EPiC Elvis Presley in Concert doc teases advanced US screenings at Graceland on January 8 2026 Elviss birthday with an Australian premiere set for February 7 2026 at the AACTA festival drawing from unearthed vault footage of raw intimate King moments Elvis Information Network confirms[2][4]. FTD announced The Making of G I Blues a 65th anniversary deluxe set with rare 1974 Memphis shows while Forbes pegs Elviss 2025 earnings at 17 million down from last years movie boost but still a posthumous powerhouse[2]. No fresh public appearances or verified social mentions but Gracelands Christmas lights nativity and Presley family decor draw hordes as always[2]. Fans gear up for birthday bashes January 7 to 11 in Memphis with proclamations and EPiC sneak peeks[2]. Elvis lives on shaking charts enterprises and hearts this festive season.

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Elvis Presley BioSnap a weekly updated Biography.

Elvis Presley may have left the building nearly half a century ago, but in the past few days his presence has felt remarkably current, commercially potent, and historically consequential. The biggest biographical development concerns **Tupelo Hardware**, the Mississippi store where his mother bought him that first guitar in 1946; city officials in Tupelo have now moved to buy the landmark buildings to preserve them as part of the towns heritage tourism circuit, after the Booth family announced the store will close at the end of the year, a move local leaders clearly see as vital to safeguarding the origin story of the King for future generations, according to Elvis Information Network.[4][4]

On the business front, Presley remains a posthumous moneymaker. Forbes recently ranked him the number 7 highest paid dead celebrity of 2025, with an estimated 17 million dollars in earnings, most of it flowing from music catalog revenue and licensing of his name and likeness, as reported via Elvis Information Network from the Forbes list.[4] That same report notes that his estate, largely controlled by granddaughter Riley Keough, successfully fended off a bizarre attempted identity theft scheme earlier this year that tried to force a sale of Graceland, underlining how contested and valuable the Presley brand remains.[4]

On the charts this week, Elvis is once again a seasonal powerhouse. The specialist site Elvis Day By Day reports that **Blue Christmas** has climbed to number 29 on the main Billboard Hot 100, risen sharply on the Global 200, and is a top tier performer on multiple holiday and streaming tallies, while The Classic Christmas Album is back inside the top 10 of Billboards Top Country Albums and surging on rock, holiday, and global album charts.[1] Forbes has also singled out Blue Christmas and The Classic Christmas Album as evergreen holiday performers, emphasizing how his catalog now operates as a recurring annual event.[4]

Culturally, the past few days have seen a flurry of Elvis themed live tributes that keep his stage persona in circulation rather than in a museum case. In Georgia, the Georgia Elvis Festival staged a full Elvis Christmas Show featuring multiple tribute artists running through his Yuletide songbook, captured on video and promoted as a major seasonal draw.[2] In Minnesota and the greater St. Cloud region, Anthony Shore is headlining An Elvis Christmas, marketed explicitly as an evening celebrating Elvis Presleys Christmas catalog.[5][10] Other events, like the continuing One Night With The King production and Dean Z The Ultimate Elvis tour, remain on calendars into 2025, reinforcing his continued role as a live entertainment franchise, according to venue and college announcements.[8][9]

On social media, much of the chatter in recent days has centered on three threads that fans and commentators are treating as long term storylines rather than passing notes. First, the Tupelo Hardware sale has been widely shared as a key preservation victory for the Presley narrative, with fan sites framing it as saving the place where destiny bent toward rock and roll.[4] Second, chart watchers are celebrating Blue Christmas creeping up the Hot 100 and global charts, speculating whether it could eventually reach a modern number one on genre streaming lists; that ambition is at least partly grounded in data, as Elvis Day By Day notes the track is now just short of the top of the Rock Streaming Songs ranking.[1] Third, some fan forums are buzzing about the still unreleased biographical project EPiC referenced by Elvis Information Network in its December news wrap, but details on that films status remain sketchy, and any talk of final casting, release dates, or plot changes should be treated as unconfirmed until backed by studio announcements.[4]

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Elvis Presley BioSnap a weekly updated Biography.

This is Biosnap AI, and in the last few days the King has been busier in the headlines than many living stars. According to The Commercial Appeal, Graceland was just voted the No 1 Best Holiday Historic Home Tour in the US for the eighth straight year, with its 2025 Christmas tours running through December 23, underscoring how Elvis long ago crossed from pop star to permanent American landmark.[14] Parade reports that USA Today readers gave Presley’s mansion the top holiday honor again, with more than half a million visitors a year filing past the blue lights, nativity scene, Santa and sleigh, and treasured Presley family Christmas artifacts, a tradition that keeps adding fresh biographical weight to his image as the patron saint of rock and roll Christmas.[4]

On the charts, the Elvis Information Network notes that Blue Christmas has once again stormed back onto the Billboard rankings, returning to the Global 200, the Streaming Rock Songs list, and climbing key holiday charts, while The Classic Christmas Album reenters the Billboard 200, proof that his seasonal persona is now a recurring annual chapter in his life story rather than a nostalgic footnote.[1] EIN also relays Forbes data that Elvis ranks No 7 on the 2025 Highest Paid Dead Celebrities list with 17 million dollars in estimated earnings, a dip from the post biopic boom but still a staggering confirmation that the Presley business machine, from music and licensing to Graceland tourism, remains one of the world’s most powerful posthumous brands.[1][3]

Parade further highlights that Graceland, now solely controlled by granddaughter Riley Keough after the legal wrangles following Lisa Marie Presley’s death, continues to be the axis around which the modern Elvis narrative spins, especially during the holidays.[4]

Looking ahead, Travel and Tour World reports that Graceland has announced a five day Elvis birthday celebration for early January, with concerts, panels featuring close associates like Jerry Schilling, and the first US screenings of Baz Luhrmann’s new concert film project EPiC Elvis Presley in Concert, billed as a fresh chance to hear his own side of the story through rediscovered recordings and poised to reshape public understanding of his live legacy if it delivers on the hype.[11][13]

There are, as always, whispers online about secret Graceland deals and hidden family tensions, but at this point those items remain in the realm of unconfirmed fan speculation rather than verified news.

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This is Biosnap AI, and the King has been unusually busy for a man gone since 1977. According to Elvis Day By Day, Elvis Presleys Blue Christmas has surged yet again on the charts in the last few days, jumping to number 31 on the Billboard Hot 100 and reentering multiple U.S. and global streaming rankings, while The Classic Christmas Album rocketed into the mid 50s on the Billboard 200 with more than 17000 equivalent units moved this week.[1][6] Elvis Information Network notes that Blue Christmas is now back on the Billboard Global 200 and Streaming Rock Songs lists and that Elvis himself has climbed on the Billboard Artists chart as December listening turns decisively his way.[4]

On the home front, Elvis Presleys Graceland has just been voted Best Holiday Historic Home Tour in the United States yet again, with the Commercial Appeal reporting it has now taken the title for an eighth straight year, driven by those classic blue lights and the life size Nativity that date to his own lifetime decorations.[9][11] That continued prestige keeps Graceland not just a shrine but a living engine in the Presley business story.

On screen, the most potentially biographically significant news is Baz Luhrmanns new project. The Commercial Appeal and Deadline report that the first teaser has dropped for EPiC Elvis Presley in Concert, an IMAX scale documentary built around never before seen performance footage, long lost Vegas era film and rediscovered audio in which Elvis himself purportedly tells my side of the story through archival recordings.[12][14][13] If the finished film delivers what the teaser promises, it could meaningfully reshape how future audiences hear Elvis narrate his own career.

Culturally, the King is everywhere in seasonal tribute. Magnolia Tribune previews The Ultimate Elvis Christmas in Meridian, Mississippi, fronted by 2023 Ultimate Elvis Tribute Champion Cote Deonath, explicitly framed as a celebration of Elviss historic ties to the town stretching back to his 1953 Jimmie Rodgers Festival appearance.[2] Shaw Local reports another major tribute production, Dean Z The Ultimate Elvis Christmas, set to rock Joliet later this month, complete with big band, horns, and multi era Elvis staging.[5]

Meanwhile, even federal bureaucracy cannot escape him. The Washington Times reports that a Government Accountability Office audit found a sponsor application filed in the name Elvis Presley in a Biden administration migrant parole program, an almost certainly bogus use of the Kings identity that nonetheless keeps his name in current political headlines.[7]

There are routine fan site rumors and social media chatter speculating about further unreleased recordings tied to EPiC, but as of now no major outlet has verified any concrete new track list or release date, so those whispers remain strictly unconfirmed.

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Elvis Presley BioSnap a weekly updated Biography.

This is Biosnap AI, and over the past few days the King has been unusually busy for a man gone since 1977. According to Deadline, the dominant headline is Baz Luhrmanns new concert film EPiC Elvis Presley in Concert, which just dropped its first teaser, promising a feature length big screen experience built from newly restored archival footage of Elvis in his late 60s and Vegas prime, synced to his own live vocals and a rare 45 minute autobiographical audio track that lets him narrate his story in his own voice[1][8][10]. IndieWire and other film outlets report that Luhrmann is positioning EPiC as part concert movie, part intimate retrospective, a spiritual successor to his 2022 biopic and a potential awards season player that could further cement the modern screen image of Elvis for a new generation[1][8]. Country radio trade coverage notes that the trailer release is being treated like a major event, with Sony and Luhrmann leaning into IMAX and premium large format rollouts in early 2026, a move that underscores how valuable the Presley catalog and brand remain nearly five decades on[4][10].

On the legacy and business front, the Elvis Information Network highlights a fresh Forbes list naming Elvis the number seven highest paid dead celebrity of 2025, with an estimated 17 million dollars in earnings driven by music catalog revenue, Graceland tourism, and name and likeness deals, even as income dips from the post Luhrmann biopic spike[3]. EIN also revisits the bizarre but very real Graceland fraud case earlier this year, noting that a bogus attempt to foreclose and auction off the mansion was stopped in court, with ownership remaining with the Presley estate under granddaughter Riley Keough[3].

In the world of biography and reputation, CBS News just aired a new segment tied to Peter Guralnicks book The Colonel and the King, in which the acclaimed Elvis biographer reframes Colonel Tom Parker not as a cartoon villain but as a fiercely loyal and increasingly troubled partner whose gambling and limitations helped shape both the scale of Presleys success and the tragedy of his decline[7]. That nuanced reassessment, landing in heavy rotation on a major network, may have more long term impact on how future histories describe Elvis and his fateful management relationship than any single fan rumor or tabloid dust up this week.

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This is Biosnap AI, and the King has been unusually busy for a man gone since 1977. The headline item in the Elvis universe is the ramp up to the concert film EPiC, an archive driven big screen project built from long lost Graceland footage and 8mm reels, which drew a standing ovation and raves like a burst of concert film adrenaline when it premiered at Toronto, according to Vogue and Variety as quoted by Elvis Information Network.[1] Elvis InfoNet reports that after a limited one week engagement the film is set to hit theaters widely on February 27, with advance fan buzz framing it as Elvis effectively telling his side of the story from beyond the grave.[1] In industry terms, that has real long term biographical weight, reshaping how new audiences will visually remember his stage power.

On the business front, Forbes latest list of highest paid dead celebrities has Elvis clocking in at number seven with an estimated 17 million dollars in earnings this year, down from 50 million the year before, as summarized by Elvis Information Network from the Forbes report.[1] The same coverage notes that the family, led by granddaughter and estate controller Riley Keough, still owns just 15 percent of Elvis Presley Enterprises, yet the catalogue and name image likeness deals have generated roughly 1.2 billion dollars over the past 25 years.[1] That mix of slowing annual income but massive cumulative haul is central to the modern Elvis story.

The auction circuit is keeping his legend tangible. Something About Rocks reports that a bespoke Mathey Tissot automatic calendar wristwatch, commissioned by Elvis around 1970 and gifted to his periodontist Dr Max Shapiro and hygienist Jewell Shapiro, has gone under the hammer at Bonhams New York as part of a Fine Watches sale, another reminder of his famous generosity and his long relationship with Memphis jeweller Harry Levitch.[3] The hammer price and buyer identity have not been widely reported yet, so any talk of record shattering sums is still speculative.

In the culture pages, Parade marked the 57th anniversary of the 68 Comeback Special with fresh reporting on behind the scenes drama, emphasizing how that NBC show resurrected his career and cemented his legacy.[8] Meanwhile, Elvis focused Christmas tribute shows from Scot Bruce in Connecticut and others continue to pack holiday calendars, underlining a seasonal demand that never seems to fade.[9]

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Elvis Presley remains a cultural and commercial powerhouse even decades after his death, with several significant developments dominating headlines this week. Director Baz Luhrmann announced that his highly anticipated new Elvis film titled "Epic" will hit theaters worldwide in February 2026, with the Australian premiere happening first at the prestigious Guest House Theater. Unlike previous Elvis projects, Luhrmann emphasized this is neither a concert film nor a documentary, but rather a unique presentation where Elvis sings and tells his story in unprecedented ways.

On the merchandising front, Collector's Label Follow That Dream Records released "The Making of G.I. Blues," a deluxe boxed set commemorating the film's sixty-fifth anniversary. The collection features two comprehensive books and five CDs and became available on November twenty-first for approximately two hundred twenty dollars. This follows the label's tradition of releasing lavish commemorative sets just before the Christmas season.

A bespoke Mathey-Tissot automatic calendar wristwatch gifted by Elvis to his periodontist Dr. Max Shapiro and dental hygienist Jewell Shapiro went up for auction at Bonhams in New York on December first. The gold-plated stainless steel timepiece dates from around nineteen seventy and represents one of many personalized watches Elvis commissioned from his trusted Memphis jeweler Harry Levitch between nineteen sixty-nine and nineteen seventy-one.

On the earnings front, Elvis dropped slightly in Forbes' ranking of highest-paid deceased celebrities, moving from fourth place last year to seventh place in twenty twenty-five. However, the King continues generating substantial income, bringing in one hundred seventy million dollars this year alone—forty-eight years after his death. He has earned a cumulative total of one point two billion dollars and maintains a presence in the top ten of every Forbes edition for the past twenty-five years.

The music catalog continues generating attention, with new releases and reissues gaining recognition. An Elvis Presley album received a silver BPI award in November for exceeding sixty thousand copies sold since its January two thousand five reissue, counting streams, digital downloads, and physical sales combined.

Additionally, multiple Elvis tribute concerts are occurring across North America this season, including performances in Las Vegas, Kingston, and Marysville, keeping the King's musical legacy active in the public consciousness as we head into the holiday season.

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Elvis Presley BioSnap a weekly updated Biography.

Elvis Presley continues to dominate entertainment headlines as we approach his birthday celebration in January. According to Elvis Information Network, The King ranked seventh among the highest-paid deceased celebrities in 2025, earning seventeen million dollars. While this represents a significant drop from last year's fifty million due to decreased box office performance from the recent Elvis movie, it underscores his enduring commercial power nearly five decades after his death.

The most anticipated development involves director Baz Luhrmann's upcoming concert film "EPiC: Elvis Presley in Concert." Fresh from rave reviews at the Toronto International Film Festival, the project received tremendous fan enthusiasm, with four screenings selling out instantly and prompting organizers to add an additional IMAX showing. The film, which reimagines Elvis through cutting-edge technology and newly discovered footage, is expected to secure distribution with a likely 2026 release date.

On the music front, Graceland announced a special Elvis Christmas Album re-release on limited edition green vinyl through The Art Of Vinyl label on November twenty-eighth. Meanwhile, the UK's Memphis Recording Service label continues its anniversary celebration with several significant releases including "Las Vegas The Raging Tiger Closing Night 1974," featuring an emotionally charged final performance from one of Elvis's most impressive Las Vegas seasons.

Priscilla Presley has been actively promoting her new memoir "Softly, As I Leave You" while touring Australia. According to Entertainment News, she's conducting extensive publicity for the book, which has attracted considerable media attention.

Peter Guralnick's newly released biography "The Colonel and the King" sparked renewed scholarly debate about Elvis's relationship with manager Colonel Tom Parker. The book draws on previously unseen correspondence to reveal Parker as a confidant and architect of Elvis's success, while also exploring darker elements in their later years together.

Chart activity shows continued strength for Elvis's catalog. His "Blue Christmas" and "The Classic Christmas Album" maintained positions on Billboard's Holiday charts heading into the season, while "The Essential Elvis Presley" compilation held steady on the Top Country Album chart.

Looking ahead, Graceland has announced its January 7-11 celebration featuring live concerts, panels, and special tours, culminating in Elvis's ninety-first birthday commemoration on January 8th.

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