Brandon Rosenbluth speaks with Italian artist duo Invernomuto about networked creation, sound as a medium for tracing history, challenging the art institution with expanded formats, cybernetic animism and the emergence of Triton – a creature, a community, a multi-sensorial object and affect engine of new relations. Begin your exchange with Triton⁠ here.

Triton is commissioned by Haus der Kunst München, curated by Sarah Johanna Theurer, and supported by the Italian Council (2024), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture, with the support of PAN and partners including the Singapore Art Museum, TheCube Project Space (Taipei), EPFL (Lausanne), MAO (Turin), Museion (Bolzano) and La Becque (La Tour-de-Peilz).