More whimsical comprovisation with Magnus Brandell. I began with a diatonic seventh sequence in C major alternating with some major / minor motion on the piano. Then, I added some bass. Finally, I improvised over this until I was comfortable, composing a head of sorts, then used some scales that Tom Thomas would call "diseased" with the electric guitar, a hard-tailed Ibanez Jem through a BK Butler Tube Driver and a Mesa Boogie amp rig. It's 100% Analog goodness, and man does it sound like a cello! I broke out the JV-1010 for the synth patches. Piano is Synthogy Ivory.