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In this episode, we sit down with Trust Design, a two-person studio run by Hannah Smith and Jesse MacKenzie, to talk about how they’ve built a reputation for delivering big-agency-level work—without becoming a big agency.
They share how they stumbled into starting a studio (with no clear roadmap), why they rejected the idea that design has to be cutthroat, and how discovering the creative community completely changed their trajectory.
We also dig into their philosophy of “punching above your weight.” What it actually looks like in practice, and why it has less to do with talent and more to do with care.
Along the way, we talk about:
If you’ve ever felt like you’re too small to compete (or unsure how to stand out without a massive following) this episode is proof that you don’t need scale to do meaningful, high-level work.
Join the Creative Slash Newsletter and Get the 5-Part “Off the Record” email series FREE
Click here to get the five-part “Off the Record” email series
Note: If you're looking for hard-earned advice, resources from top creatives, and the products they can't live without, you're going to love this.
Brad Woodard
Brad is an illustrator and designer behind Brave the Woods, a full-service studio working with clients like PBS Kids, Ford, Target, and USPS. His bold, playful style and heart-led storytelling shine through everything from brand campaigns to children’s books.
View Brave the Woods
Dustin Lee
Dustin is the founder of RetroSupply, a shop for retro-inspired brushes, textures, and digital tools used by tens of thousands of creatives from indie artists to major studios. He shares what it’s really like to run a creative business while keeping it small, weird, and intentional.
View RetroSupply
Credits
Audio/video editing: Clara Wright
Cover art: Brad Woodard
Intro animation: Seth Austin
Intro music: “Snakes and Fire” (Instrumental) by Pär Hagström
By Brad Woodard and Dustin LeeIn this episode, we sit down with Trust Design, a two-person studio run by Hannah Smith and Jesse MacKenzie, to talk about how they’ve built a reputation for delivering big-agency-level work—without becoming a big agency.
They share how they stumbled into starting a studio (with no clear roadmap), why they rejected the idea that design has to be cutthroat, and how discovering the creative community completely changed their trajectory.
We also dig into their philosophy of “punching above your weight.” What it actually looks like in practice, and why it has less to do with talent and more to do with care.
Along the way, we talk about:
If you’ve ever felt like you’re too small to compete (or unsure how to stand out without a massive following) this episode is proof that you don’t need scale to do meaningful, high-level work.
Join the Creative Slash Newsletter and Get the 5-Part “Off the Record” email series FREE
Click here to get the five-part “Off the Record” email series
Note: If you're looking for hard-earned advice, resources from top creatives, and the products they can't live without, you're going to love this.
Brad Woodard
Brad is an illustrator and designer behind Brave the Woods, a full-service studio working with clients like PBS Kids, Ford, Target, and USPS. His bold, playful style and heart-led storytelling shine through everything from brand campaigns to children’s books.
View Brave the Woods
Dustin Lee
Dustin is the founder of RetroSupply, a shop for retro-inspired brushes, textures, and digital tools used by tens of thousands of creatives from indie artists to major studios. He shares what it’s really like to run a creative business while keeping it small, weird, and intentional.
View RetroSupply
Credits
Audio/video editing: Clara Wright
Cover art: Brad Woodard
Intro animation: Seth Austin
Intro music: “Snakes and Fire” (Instrumental) by Pär Hagström