In the first episode of Gallery Hangover, host Yessíca Torres sits down with painter Malachi Arthur following his participation in Before the Fall at Dama Gallery. A 26 year old oil painter from Sacramento, Malachi brings a practice rooted in expressive color, layered imagery, and a deep commitment to social and political awareness.

The conversation centers on his works Whitey On the Moon and Whatdido?, unpacking themes of utility, disposability, and the tension between human presence and constructed systems. Drawing from historical and cultural references, Malachi explores the contrast between warmth and machinery, softness and structure, and the broader implications of labor, technology, and identity within his work.

Through this post opening reflection, Malachi offers insight into his artistic process, the intention behind his visual language, and how his work contributes to an ongoing dialogue about responsibility, awareness, and the role of the artist in confronting complex realities.