In celebration of the 100th episode of Everyone's Special and No One Is, Martin invites his friend Tanner Colpitts back to the podcast to talk about their shared love for the band Rush, and how they integrated synthesizers with a classic progressive rock style.

From the Minimoog synthesizer on their album "A Farewell to Kings" in 1978, to more complex polyphonic synthesizers throughout the 1980s, Martin and Tanner track the evolution of the band's style across 10 years' worth of their discography.