Artalaap

Ep 11: The Bahujan Gaze


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In this episode I, Kamayani Sharma, am in conversation with Jyoti Nisha, filmmaker, writer and scholar. She is the director of 'BR Ambedkar: Now And Then', a widely anticipated, partially-crowdfunded documentary that is now readying for release. In her essay, ‘Indian Cinema and the Bahujan Spectatorship’ [Economic & Political Weekly, May 2020], she theorised about the politics of the gaze from her perspective as a Dalit woman viewer and media researcher. Jyoti was  Director’s Assistant on Neeraj Ghaywan's Geeli Pucchi [Dharma Productions, 2021], a short that was part of the Netflix anthology, Ajeeb Dastaans. We discuss growing up as a young woman in UP of the 1990s and 2000s, how Jyoti came to filmmaking via journalism, screenwriting and academia, working on - of all things! - a Dharma movie and her journey, artistic and logistical, towards the completion of her upcoming documentary 'BR Ambedkar: Now and Then'. By way of Jyoti’s own essay, African-American film history and the polemical theories of the documentarian Trinh T. Minh-ha, we unpack the idea of the oppositional bahujan gaze unto Indian cinema and the complicated question of how realism in Indian cinema is  part of a Brahmanical aesthetic scheme. 


Click here to access the Image+ Guide & view the material being discussed in the podcast: https://sites.google.com/view/artalaap-podcast-resources/episode-11. 

Credits: 

Producer: Tunak Teas 

Design & artwork: Mohini Mukherjee 

Marketing: Dipalie Mehta 

Images: Jyoti Nisha 

Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair, Jayant Parashar 

Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0] 

References: Jyoti Nisha, 'Indian Cinema and the Bahujan Spectatorship’, Economic and Political Weekly, Vol. 55, Issue No. 20, 16 May, 2020 

bell hooks, 'The Oppositional Gaze: Black Female Representation', Black Looks: Race and Representation, Boston: South End Press, 1992. 

Trinh  T. Minh-ha, 'The Totalizing Quest of Meaning', When The Moon Waxes Red:  Representation, Gender and Politics,  Routledge: London, New York,  1991. 

Yashica Dutt, Coming Out As Dalit, Aleph Book Company, 2019.

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