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What’s in a collaboration?
The writer: an isolated, even introverted hermit, locked up in a ridiculously aesthetic study, surrounded by crumpled up pieces of paper, bookshelves of people who did it better, and the final sad tatters of their dreams.
Probably more than a little inebriated to boot.
Today, we deny such preconceptions. The writer’s life need not be solitary, especially when collaboration is so damn fun. Between editing a friend’s work, scripting a more visual piece of art, or even co-writing entire books together, collaborating offers a world of unique experiences for the modern writer. What does it take to do so, however? What is the difference between writing alone and writing with another?
...aside from a mildly increased number of arguments?
This week, Rachel and Sarim attempt to cultivate the concept of collusion.
By Sarim Irfan, Rachel Evangeline ChiongWhat’s in a collaboration?
The writer: an isolated, even introverted hermit, locked up in a ridiculously aesthetic study, surrounded by crumpled up pieces of paper, bookshelves of people who did it better, and the final sad tatters of their dreams.
Probably more than a little inebriated to boot.
Today, we deny such preconceptions. The writer’s life need not be solitary, especially when collaboration is so damn fun. Between editing a friend’s work, scripting a more visual piece of art, or even co-writing entire books together, collaborating offers a world of unique experiences for the modern writer. What does it take to do so, however? What is the difference between writing alone and writing with another?
...aside from a mildly increased number of arguments?
This week, Rachel and Sarim attempt to cultivate the concept of collusion.