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A conversation that starts with childhood fads—yo-yos, marbles, and tragic haircuts—ends up veering into mortality, medical checkups, and why a finger in the bum has become such a clinical inevitability. Somewhere in the middle, we roast Lord of the Dance, and debate whether cock rings and Irish jigs have more in common than anyone asked for.
Art makes a return with watercolor nostalgia and a piece that accidentally channels the Illuminati, while vulnerability runs under the surface: what does progress actually feel like when you’re fighting old habits and mental fog? There’s laughter in the absurdity, honesty in the lows, and a surprising amount of energy spent on whether women’s jeans really button the other way.
Also, someone may or may not have killed a sparrow with a marble. Hard to tell.
By Beefman, Brisket and SavaloyA conversation that starts with childhood fads—yo-yos, marbles, and tragic haircuts—ends up veering into mortality, medical checkups, and why a finger in the bum has become such a clinical inevitability. Somewhere in the middle, we roast Lord of the Dance, and debate whether cock rings and Irish jigs have more in common than anyone asked for.
Art makes a return with watercolor nostalgia and a piece that accidentally channels the Illuminati, while vulnerability runs under the surface: what does progress actually feel like when you’re fighting old habits and mental fog? There’s laughter in the absurdity, honesty in the lows, and a surprising amount of energy spent on whether women’s jeans really button the other way.
Also, someone may or may not have killed a sparrow with a marble. Hard to tell.