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On this episode, we sit down with Sumeera Younis, a native Pakistani who grew up in Michigan, did a pit stop in Istanbul and now lives in Washington DC with her husband and three kids. Join us as we hear about Sumeera’s immigration to the U.S from Pakistan with the song “Pardesi, Pardesi,” and then being exposed to the political messages in Rage Against the Machine in car rides to high school with her brother. Sumeera shares the stories of graduating from law school and studying for the bar exam, with the help of “If You Tolerate This Your Children Will Be Next” by Manic Street Preachers, and falling in love with her husband through “Temptation” by New Order. We close out our conversation with the documentary Searching for Sugar Man and the song “Sugar Man” by Rodriguez, and then, Sumeera’s moving story of fertility treatment through “The Waiting” by Tom Petty and The Heartbreakers. Pull up a folding chair, grab a drink, find a spot “around the fire,” and enjoy the conversation and community.
Connect w/ Sumeera on her Instagram
Follow your hosts David, Raza, and Carolina every other week as they embark on an epic adventure to find the songs that are stuck to us like audible tattoos that tell the story of who we are and where we’ve been, to help us figure out where we’re going. It’s a life story told through 6 songs.
WHO WE ARE
DAVID: Creator & Host @ALifeinSixSongs
Drummer | Educator | Philosopher | Combat Veteran | PTSD Advocate
CAROLINA: Co-Host @ALifeinSixSongs
Storyteller | Professional Facilitator
RAZA: Co-Host @ALifeinSixSongs
Lawyer | Producer | Solo Project: Solamente | @razaismyname
RESOURCES & LINKS
Support the show
Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit or educational use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of commentary, criticism, and education.
By A Life in Six Songs PodcastSend us a text
On this episode, we sit down with Sumeera Younis, a native Pakistani who grew up in Michigan, did a pit stop in Istanbul and now lives in Washington DC with her husband and three kids. Join us as we hear about Sumeera’s immigration to the U.S from Pakistan with the song “Pardesi, Pardesi,” and then being exposed to the political messages in Rage Against the Machine in car rides to high school with her brother. Sumeera shares the stories of graduating from law school and studying for the bar exam, with the help of “If You Tolerate This Your Children Will Be Next” by Manic Street Preachers, and falling in love with her husband through “Temptation” by New Order. We close out our conversation with the documentary Searching for Sugar Man and the song “Sugar Man” by Rodriguez, and then, Sumeera’s moving story of fertility treatment through “The Waiting” by Tom Petty and The Heartbreakers. Pull up a folding chair, grab a drink, find a spot “around the fire,” and enjoy the conversation and community.
Connect w/ Sumeera on her Instagram
Follow your hosts David, Raza, and Carolina every other week as they embark on an epic adventure to find the songs that are stuck to us like audible tattoos that tell the story of who we are and where we’ve been, to help us figure out where we’re going. It’s a life story told through 6 songs.
WHO WE ARE
DAVID: Creator & Host @ALifeinSixSongs
Drummer | Educator | Philosopher | Combat Veteran | PTSD Advocate
CAROLINA: Co-Host @ALifeinSixSongs
Storyteller | Professional Facilitator
RAZA: Co-Host @ALifeinSixSongs
Lawyer | Producer | Solo Project: Solamente | @razaismyname
RESOURCES & LINKS
Support the show
Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit or educational use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of commentary, criticism, and education.