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By 1992, Takeru was on its last legs. In the parlance of Jake Taylor, all that was left to do was win the whole thing. In this case, “the whole thing” meant the dying days of the Famicom, and win it did. But as always with Little Samson, we are left to ask: at what cost? Join us as we put a button on Akira Kitamura’s career.
Music Used In This Episode
Quiron’s Mallets by Abreu Project
Walking Weapons Unit by WillRock
Odyssey Beyond The Falls by Vurez
Good Night Li’l Man by texxsound
Bubble Man (wants to get) Funked Up by Disco Dan
Wonderful Shadows by the Electric Sheep Orchestra by fredrikd
All sourced from OCRemix.org and used under its Content Policy’s Terms of Use.
If you have any feedback on this podcast, you can email [email protected].
By Stoutbot IndustriesBy 1992, Takeru was on its last legs. In the parlance of Jake Taylor, all that was left to do was win the whole thing. In this case, “the whole thing” meant the dying days of the Famicom, and win it did. But as always with Little Samson, we are left to ask: at what cost? Join us as we put a button on Akira Kitamura’s career.
Music Used In This Episode
Quiron’s Mallets by Abreu Project
Walking Weapons Unit by WillRock
Odyssey Beyond The Falls by Vurez
Good Night Li’l Man by texxsound
Bubble Man (wants to get) Funked Up by Disco Dan
Wonderful Shadows by the Electric Sheep Orchestra by fredrikd
All sourced from OCRemix.org and used under its Content Policy’s Terms of Use.
If you have any feedback on this podcast, you can email [email protected].