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In this episode I visit Hamish Coleman in his studio in Otepoti.
Hamish graduated from the Ilam School of Fine Arts at the University of Canterbury with a Bachelor of Fine Arts with Honors in 2012, and has been the artist in residence at the Dunedin School of Art. He has exhibited throughout New Zealand, with his work held in public and private collections. Hamish's work walks a fascinating line of presenting what feels like a new, fresh approach to painting, while simultaneously capturing a sense of the somehow familiar New Zealand you’ve always known.
There are images of the paintings that we talk about on The Good Oil Hamish Coleman Instagram Post.
In this episode you’ll hear Hamish speak about finding unique, painterly source material in video stills, the presence of an Aotearoa Gothic aesthetic in his work, a want to include the equivalent of white noise into paintings, the use of interference paint pigments, how hard he works to make the work look effortless and the ongoing drive to paint motivated by not quite being able to put his finger on what he is trying to capture.
Links
Hamish Coleman Instagram Page
Season Gallery Hamish Coleman Artist Web Page
The Good Oil Instagram
In this episode I visit Hamish Coleman in his studio in Otepoti.
Hamish graduated from the Ilam School of Fine Arts at the University of Canterbury with a Bachelor of Fine Arts with Honors in 2012, and has been the artist in residence at the Dunedin School of Art. He has exhibited throughout New Zealand, with his work held in public and private collections. Hamish's work walks a fascinating line of presenting what feels like a new, fresh approach to painting, while simultaneously capturing a sense of the somehow familiar New Zealand you’ve always known.
There are images of the paintings that we talk about on The Good Oil Hamish Coleman Instagram Post.
In this episode you’ll hear Hamish speak about finding unique, painterly source material in video stills, the presence of an Aotearoa Gothic aesthetic in his work, a want to include the equivalent of white noise into paintings, the use of interference paint pigments, how hard he works to make the work look effortless and the ongoing drive to paint motivated by not quite being able to put his finger on what he is trying to capture.
Links
Hamish Coleman Instagram Page
Season Gallery Hamish Coleman Artist Web Page
The Good Oil Instagram
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