"Artists are the gate keepers of truth. We are civilization’s radical voice."- Paul Robeson


In this podcast episode, we explore the life and legacy of Paul Robeson, a true trailblazer in American history. Born into a family that valued education and perseverance, Robeson's determination to succeed was evident from an early age. Despite facing discrimination and racism, he excelled academically and athletically, becoming the class Valedictorian at Rutgers University. However, it was his exceptional singing voice and captivating stage presence that propelled him to fame. Robeson used his platform to advocate for civil rights, performing in the language of each country he visited and donating the proceeds of his shows to support causes such as ending racism and promoting world peace. Join us as we delve into the life and times of this remarkable activist and performer, whose legacy continues to inspire generations.

One comment that Robeson made during this time period that would come to define him was his statement that “the artist must take sides. He must elect to fight for freedom or slavery. I have made my choice.” Robeson chose to use his immense talent and platform to fight for social justice, and he did so unapologetically.

Robeson was particularly passionate about workers’ rights and spoke out in support of labor unions. He believed that workers should have the right to unionize and collectively bargain for better wages and working conditions. In 1940, he performed at a rally in Madison Square Garden in support of the Trade Union Unity League, which was an organization affiliated with the Communist Party that advocated for workers’ rights. This performance, along with his outspoken support for labor unions, would later lead to his persecution by the US government during the Cold War.

During World War II, Robeson was a staunch supporter of the war effort against fascism. He performed for Allied troops in North Africa and Europe, and his rendition of “The Battle Hymn of the Republic” became famous among soldiers. However, after the war ended, Robeson’s outspoken support for the Soviet Union and his criticism of US foreign policy would lead to him being labeled a communist sympathizer and blacklisted by Hollywood.

The blacklist effectively ended Robeson’s film career and limited his ability to perform in the United States. However, he continued to perform abroad, and his concerts in the Soviet Union and other communist countries earned him a reputation as a propagandist for communism. This reputation was not entirely unfounded, as Robeson did believe in the principles of communism and saw it as a way to fight against racism and imperialism.

In the 1950s, Robeson’s passport was revoked by the US government, effectively preventing him from traveling abroad to perform. He was also subjected to intense surveillance and harassment by the FBI, who saw him as a threat to national security. Despite this persecution, Robeson continued to speak out against racism and injustice, and he became a symbol of resistance for many in the civil rights movement.

In the 1960s, Robeson’s health began to decline, and he was largely forgotten by the mainstream

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