In this episode of The Problem with Work, we introduce Kathi Weeks’ concept of ‘the work society’. We examine the interrelated ideas of social construction and reproduction through work, and identity via the categories of gender and class.

We discuss the usefulness of finding a name for work’s reach beyond the economic realm and into social and personal life. We talk about how this reach leads to the devaluation of ‘free’ (non-productive) time, and how that further produces classed individuals. We dive into to the dynamics through which work and work preparation (in training and education) reinforce gender norms and identities.

After this discussion, we present some personal insights on the work society and the (re)production of identity through work. We consider an Organisational Psychology take on identity and the strategic use of “in-group bias”. This practical analysis considers the challenge and opportunity of combining personal and professional identity. Reflecting upon the figure of the professional artist, and the idea of the migrant worker, we consider what ethical and political distortion can emerge from the eruption of work into other realms of life.

We close the episode, as customary, with the ‘Artwork of the Episode’, a work of art selected for its resonance with this episode’s key themes, and the ‘Question of the Episode’, something for you to reflect on until next time.

Works Cited:

• The Problem with Work, by Kathi Weeks (2011, Duke University Press, Durham and London).

• King's Global Institute for Women's Leadership - UK Gender Equality Index

• Job Switching, a sculptural dynamic installation by Nancy Daly. Daly is an artist based in Washington, DC. You can find more information about her work on her website.

Cover artwork by Simone Hutsch from Unsplash.

Music by Tech Oasis from Pixabay.

Inquires: [email protected]