Dance artist Jule Flierl questions how voicing, listening and breathing can be used to bring us into a sensual relationship with our past, present and future surroundings.

Jule shares, for example, how she worked with different temporalities in her solo dance piece “Störlaut” where she reinterpreted the sound dances of Valeska Gert, a German grotesque dancer of the 1920s, in order to create an articulation beyond today’s word capsules.

She then proposes a breathing score for listeners to embody her desire to bring breath, and physical practices more broadly, back into a realm where they become sensory tools, as opposed to their current association as simply a means to transmit the Coronavirus.

Learn more at: http://renaeshadler.com/worlding/