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In the two Romances for Violin and orchestra, Op. 40 in G Major and Op. 50 in F Major, we encounter not the innovative Beethoven, but rather the creator of graceful and attractive works designed to please performer and audiences alike.
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In the two Romances for Violin and orchestra, Op. 40 in G Major and Op. 50 in F Major, we encounter not the innovative Beethoven, but rather the creator of graceful and attractive works designed to please performer and audiences alike.
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