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Why there’s so much bad ballet music, and Madeline Houk’s parents’ valiant attempt to crush her dreams. The really not bad ballet music in this episode is Delibes' "Sylvia", played by the Razumovsky Sinfonia, and conducted by Andrew Mogrelia.
By Lincoln Jones, Elise Filo, and American Contemporary BalletWhy there’s so much bad ballet music, and Madeline Houk’s parents’ valiant attempt to crush her dreams. The really not bad ballet music in this episode is Delibes' "Sylvia", played by the Razumovsky Sinfonia, and conducted by Andrew Mogrelia.