Home studios have never been more powerful. Cheap gear is better than ever, plugins are ridiculous, and you can make real records on a laptop. But commercial studios still have something you can’t always fake: space, acoustics, and the kind of “big room” recording that makes drums feel like drums.

In this episode, we go back and forth on the real advantages (and the real traps) of recording at home in 2026, why the answer depends on what you’re tracking, and why most people end up in a hybrid workflow anyway. Then we tackle a super practical listener question about recording vocals in an untreated room without the room taking over once compression gets involved.

Why the cost-to-quality of home studio gear is insane in 2026

The hidden downside of home studios: unlimited time can make you slower

When a commercial studio is actually worth it (especially for drums)

Why acoustics and room size matter more than most people admit

The real “secret weapon” in both worlds: the person running the session

Why mixing doesn’t need a commercial studio (most of the time)

The hybrid approach that makes the most sense for a lot of artists

The return of “the glasses” and Chris’s evolving brain

Vancouver “devolving” trips and studio philosophy whiplash

The Audeze headphone rabbit hole (and how fast it escalates)

The legendary computer handle design that should’ve never existed

“Vintage 1967 Cajon through a Neve console” (because… of course)

Cornelius asks:
How do you record vocals in a normal untreated bedroom/living room so the room doesn’t get exaggerated, especially once you start compressing or doing parallel compression, when the closet trick isn’t available?

Our answer (the practical version):

Use moving blankets and build a quick “dead corner” setup

Try a corner setup with layers (blankets + mattress if you can)

Experiment with facing the treatment vs facing the room

Focus on stopping early reflections before they hit the mic

Make it ugly if you have to. Clean vocals first, aesthetics later.

There isn’t a single winner in 2026. The “best studio” is the one that fits the recording you’re doing, your workflow, and your personality. For big, loud sources like drums, space matters. For creativity and consistency, home often wins. And for mixing, the engineer usually matters more than the room.

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