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In this episode, I visit Star Gossage at her home and studio in Pākiri.
Star is Ngāti Wai and Ngāti Ruanui. She received a Diploma of Fine Arts from Otago Polytechic School of Art in 1995. She has work held in numerous public and private collections, including The Fletcher Collection, The Auckland Art Gallery Toi o Tāmaki, The Museum of New Zealand Te Papa Tongarewa, The University of Auckland Art Collection and the Christchurch Art Gallery Te Puna O Waiwhetū. In 2020 and 2021 her practice was the subject of a major survey show exhibited at the New Zealand Portrait Gallery, and in 2014 she was included in the Five Maori Painters exhibition held at The Auckland Art Gallery Toi o Tāmaki.
Star is represented in Tāmaki Makaurau by Tim Melville, and in Te Whanganui-a-Tara by Page Galleries
There are images of the paintings that we talk about on The Good Oil Star Gossage Instagram Post for your reference.
You’ll hear Star speak about how she was first drawn to painting by the texture of materials rather than images, the presence of the past, the present and the future that appear in her paintings, the finely balanced process of painting figures to capture their essence, a desire to return to creating purely abstract works, and her deep connection and still evolving understanding of place in Pākiri.
In this episode, I visit Star Gossage at her home and studio in Pākiri.
Star is Ngāti Wai and Ngāti Ruanui. She received a Diploma of Fine Arts from Otago Polytechic School of Art in 1995. She has work held in numerous public and private collections, including The Fletcher Collection, The Auckland Art Gallery Toi o Tāmaki, The Museum of New Zealand Te Papa Tongarewa, The University of Auckland Art Collection and the Christchurch Art Gallery Te Puna O Waiwhetū. In 2020 and 2021 her practice was the subject of a major survey show exhibited at the New Zealand Portrait Gallery, and in 2014 she was included in the Five Maori Painters exhibition held at The Auckland Art Gallery Toi o Tāmaki.
Star is represented in Tāmaki Makaurau by Tim Melville, and in Te Whanganui-a-Tara by Page Galleries
There are images of the paintings that we talk about on The Good Oil Star Gossage Instagram Post for your reference.
You’ll hear Star speak about how she was first drawn to painting by the texture of materials rather than images, the presence of the past, the present and the future that appear in her paintings, the finely balanced process of painting figures to capture their essence, a desire to return to creating purely abstract works, and her deep connection and still evolving understanding of place in Pākiri.
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