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As our 2019 retrospective begins winding down, Arthur kills the mood by choosing Jennifer Kent's follow up to The Babadook, The Nightingale. This Tasmanian period piece is a brutal, realistic take on the revenge thriller. Kent crafts a beautiful film that is increasingly harder and harder to watch. This week, we take a look at the three big Es on the eye chart: racism, colonialism, and assault. Before any of that business, we expand our syllabus and break down what we like and don't like about the movie.
By GoodTrash Media4.9
3535 ratings
As our 2019 retrospective begins winding down, Arthur kills the mood by choosing Jennifer Kent's follow up to The Babadook, The Nightingale. This Tasmanian period piece is a brutal, realistic take on the revenge thriller. Kent crafts a beautiful film that is increasingly harder and harder to watch. This week, we take a look at the three big Es on the eye chart: racism, colonialism, and assault. Before any of that business, we expand our syllabus and break down what we like and don't like about the movie.

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