Studio Stuff

Ep 42 - Mixing, Mastering, and the Mindset That Separates Them

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Studio Stuff Podcast #42 | Mixing, Mastering, and the Mindset That Separates Them

You finish the mix, you're happy with it, you slap Ozone on the master bus... and now what? Do you keep tweaking? Do you bounce and walk away? Do you send it somewhere? One listener question about Tonal Balance Control opened up a conversation we've been circling around for a while, and this episode is where we finally went there.

We're talking about the mixing vs. mastering mindset, whether tools like Ozone belong on the mix bus, how AI mastering services fit into a real workflow, and why your answer to all of this probably depends more on your personality than your plugins.

You'll Learn:

  • Why Tonal Balance Control works great as a monitoring tool, not a mix bus effect
  • What separates a "mix-mastering" workflow from a proper two-stage process
  • When it makes sense to leave Ozone committed and keep tweaking the mix around it
  • Why Chris and Steve approach this completely differently, and why both approaches hold up
  • What AI mastering tools are actually good for, and where they fall short
  • Why mastering your own music is one of the best kept secrets for getting better at mixing

    • Topics and Stories:

    • Edward Stashko's listener question about Tonal Balance and Ozone on the mix bus
    • The Cubase control room advantage and why Steve is smug about it
    • Chris's recent shift toward mix-mastering and why he's owning it
    • Sending mixes out: Nashville, Montreal, Winnipeg, and Sterling Sound in New York
    • What happened when three mastering engineers got the same single
    • Steve officially becoming a grandpa in the Denny's parking lot

      • Listener Q&A:

      Big shoutout to Edward Stashko for this week's question. He asked whether running a mix through Tonal Balance Control before using Ozone as an automated mastering tool produces a better result, and whether tweaking after the mastering stage creates problems that could have been caught earlier. Edward, you cracked this one wide open. Great question.

       

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      Studio StuffBy Chris Selim & Steve Dierkens