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Hey Wicked Hunters,
Other ways to listen and subscribe to the podcast:
• Spotify - http://bit.ly/twhspotify
• Apple Podcast - https://bit.ly/Theartofphotography
• Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr
• Website: https://podcast.thewickedhunt.com
• Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr
For those of you who want to learn more about The Wicked Hunt Photography by Stanley Aryanto:
• Instagram: https://www.instagram.com/thewickedhunt/
• Facebook: https://www.facebook.com/thewickedhunt/
• Twitter: https://www.twitter.com/thewickedhunt/
• Photo prints: https://www.TheWickedHunt.com/
Don't forget to leave a review on the podcast if you enjoy this conversation. It would help us to get found and help to inspire other photographers.
------------
Transcription:
Supriya Samal From Meanderquest 0:00
Stanley Aryanto - The Wicked Hunt 0:09
Supriya Samal From Meanderquest 0:55
Stanley Aryanto - The Wicked Hunt 0:59
Supriya Samal From Meanderquest 1:50
Stanley Aryanto - The Wicked Hunt 6:48
Supriya Samal From Meanderquest 7:58
Stanley Aryanto - The Wicked Hunt 12:17
that is the worst. It's funny, because like, when I was in Canada, you know, like I had a car and everything. But just to put that in perspective that what I have in my bag is a lot more precious than everything else in the car, I was just like, including the car, just like holy, it's crazy. But that's, you know, it brings happiness. So when you were a bank manager, um, you know, you're in a really good place, right? Being a manager, it's a dream for a lot of people to be a manager, you know, it's a lot of people are working hard to get up there and obviously work hard to get there, right. You're a bank manager, I'm guessing you know, you're getting that really good income, you'll get really good benefit or comfortable financially, but what's missing? Why why is it that you're still you know, unhappy and depressed about it and how does that change when you and what what makes you decide to leave that career and start something different or try something?
Supriya Samal From Meanderquest 14:21
yeah, that was a very tough decision to take. Because knowing like, you don't, you will not have your next paycheck coming for you. And it was like, you know, we were just married back then. And it was only six months. But and it was lot to you know, ask from your partner. No. So it's not something I had decided from a long back that I will do and you know, you you got to talk about it. It was not something like that, but I'm lucky on on that matter that you know, Sam was very understanding because he wanted to do all this stuff. So yeah, so that was the thing that led me to quit my job. I am saying it sincerely, Stanley. I had no idea what I was going to do. But I knew that I'm going to do something, you know. And when we took that trip, like I said, So I At this, I had this idea came to my mind, like, I should do photography, I should write about my experiences. So that was it. And like any Asian, you know, parents, my parents were not that, you know, agreeable to me leaving my job. But yeah, with time, I hope they will come around like my mom, she understands it now, my father is still a bit hung up on that, but I know with time he will come around it. So yeah.
Stanley Aryanto - The Wicked Hunt 20:35
Supriya Samal From Meanderquest 21:59
Stanley Aryanto - The Wicked Hunt 24:45
Supriya Samal From Meanderquest 26:13
So that was my first lesson, you know, because it was windy that morning. And I was there was the lake, the mountain I was trying to take the long exposure, and somehow everything got blurry. So So you know, after that, after that, actually, when I went in that trip only we went to another lake OBC. And then I saw photographers taking photos. And they were it was like, What 8am 8:30am and the sun was up. They were taking long exposures. And I saw they were using something you know, I didn't know about ND filters back then. And every experiences of mine, whatever I have learned it was on sale. I don't know what the hell I was researching over the Google. But Google never told me anything. So everything on sale. So I saw that. And I was like, I went to one photographer. He is a very known photographer in Austria. I went to him and I asked him, like, why you were using this? He looked definitely. He looked at me and I was like, this is an ND filter. I will say okay, what's the use? And then he explained me all the stuff. You know, I think that is something good about me. Like, I don't know, I'm not afraid of asking questions. I don't think for a second like what the other person is going to do you have a camera, you're taking photos and you're asking questions. But yeah, that's how I have learned actually on field. And that after that, I came home that day on my trade. And I he gave me some links, you know, from where I can read read about stuff. So I read a lot everything and I understood about it. And from there onwards, I got like a part how to, you know, look about stuff and how to prepare yourself before the trip and all those things. So that most of us think landscape, then, actually, when we went to Barcelona last year, like before that trip, I was a little bit of thinking like, Okay, I have only taken landscape photos, how I'm going to take any street shots, how I'm going to take any architecture shots, like, this is not something I have done. And another of my friend, Julia, she, that I met her also from Instagram, like you. So she was joining us in that trip, she lives in Madrid. So it was also new for her because she also takes only landscapes. So both of us, you know, went around exploring the city and taking all kinds of shots, you know, and it was quite fun. And after the trip, actually, I realised like, I don't have to, you know, put a pin on anything, but I do, like every photographer, you see the group, everyone grows. And this is why like, I had put a pin on my life, when I was working in that nine to five job, why I had to do the same in terms of creativity, I can grow. So that was the thing I do did Street and architecture, then I when I went to India this year, I took tribal portraits. So it's like, now I'm finding you know, everything, which I do, I want to do it in a better way. And that's the thing, I'm enjoying everything, everything related to photography. And even though astrophotography you know, that also, like, the nights you spent there standing, you know, alone and looking at the sky, that feeling that feeling is incredible. I don't want to partner with that feeling just because I take architecture shots, or you know, portrait stuff. No, I want to feel that also. So yeah, I'm going to try everything. So let's see.
Stanley Aryanto - The Wicked Hunt 32:08
Supriya Samal From Meanderquest 34:02
The entire night, we didn't sleep. And like, I think about like, after two or two and a half hours. I got what I wanted. Okay. But there was quite a bit like pollution because, you know, it wasn't the sea level and something and there was a lighthouse also. So the light, there was light pollution. But yeah, the stars were neat, and everything was good. And we took that and we came home. And then I was like, Okay, I now I want to take the track shots now that I know, I want to take the traction. So on the day when we went so our friend Andrey, he also joined us. And he had another whole setup for you know, deep sky photography with telescope and everything. And I was like, Whoa, that's one thing. I didn't know. That was a new thing for me. I was like, Okay, let me handle this small thing first and I will go for the bigger so he was setting up his and I had read about the you know, the polar star, you know, the alignment and everything. But with star tracker when you look through that, you know the tiny hole and do that polar alignment. Oh my god after after, like one hour. I was nearly blind. I was not able to see.
The I was only looking through that one hole. No, no, no, Sam was trying. I was trying. It took us two hours to do the polar alignment. Okay. And we did the alignment by the time it was already dark. And but yeah, we did it. And then we took the panel shots. And it was in funnel forest. Okay. So in that forest, visited two cameras, one without tracker and one with tracker with tracker, I was taking the art shots. And another I took for the you know, to make the light trails, Star Trek sorry, star trails. So it was at one end of the forest. And it was another end of the forest. So in that dark night, we went you know, tries yeah food Times, and you know, you'll have if you have seen them funnel forest images, the tree is, you know, they look like something, you know those creatures, something like that. And imagine in the dark when you suddenly hit the light, turn them it was like, okay, something there, I was so afraid, I was just thinking about, Okay, think about the photos you are going to take, you know, that was my inspiration to go through that dark night. And the entire night I didn't we didn't sleep at all, like angry, he called us, you know, you guys too, should take some rest, you know, we should set up tent, you know, we should take some rest, and he'll go and sleep, I want to sleep. I was so excited. So, and we took all kinds of shots experimented, I also took that Andromeda galaxy shot. And then, you know, he showed us many objects, you know, many stars on the sky he showed us. So that was you know, quite a learning experience. And then about like, five ish in the morning, we started coming back home, everyone was asleep. And, and I was just thinking about, wow, how is all these photos are going to look on my laptop, I want to see them. And, of course, then we came home. And after that actually, the real struggle started. I took all these photos, I had no idea how to do a panel. Okay. But I actually had done a webinar with Daniel Colton once. So he mentioned something about particularly, no, I remember I remember that. So I was like, Yeah, I remember that was something regarding the panel, you know, you can do panels in that. So I got that software. And then I searched about how to do stalking and all those stuff. And yeah, that was quite an experience. Like, you see those images, a Milky Way arch and you think okay, well, what is in there, but no, oh my God, all that thing that experiences that, you know, the research and an after you take the images or the post processing is like a journey in itself. So yeah, I enjoy it though the astral shot. And after that also, we went to take the meteor shower pursued meteor shower shots in Germany. And they're also we had some struggle with our new star tracker, you know, the day one, we couldn't do the polar alignment. It didn't happen. And it was night it was windy, we were actually not prepared. And like after one or two, if you're not prepared and windy night, you can't just you know, stand there and do something. So we came back. And the next day, we went fully prepared. We took all the shots. And even if the forecast was, you know, it's going to be cloudy. But before the clouds we actually saw 50 meteors and took the Milky Way. And with with the meteors, so it was like it was I had never imagined it. So yeah, everything you know, in life is a first if your dries up. Yeah, I enjoyed that.
Stanley Aryanto - The Wicked Hunt 43:18
Supriya Samal From Meanderquest 45:01
Stanley Aryanto - The Wicked Hunt 45:04
Supriya Samal From Meanderquest 45:21
we told our driver Okay then let's return back and you know, go to the nearest village but we didn't imagine like returning also that road is also you know that muddy and everything. So that is also going to take time. So to go downhill also it took us you know another half and out. And then when we were supposed to go and look for a place to remain for that night, then our driver said, no, no, you guys have come from so far, we should go, we should try again. That was like, why we will get the half an hour to coming back here, you know, then I was like, Okay, let's go. And actually, Sam and I, we were both quite angry, open that travel agent, because we had told him, like, we want a four by four car because this route is not good. That is what we have heard, like back from the blogs and everything. And he didn't provide us a four by four card. So it was it was an adventure, like we ditch the place around 10 Like, no 11pm around 11pm Finish the place. And that too, after like people came, I Sam and I also have to get down from the car, we had to push the car, and the event and you know, we had to walk through the forest. And you know, the driver was more afraid than us know. And we like Sam and I, we will guide in him, okay, 10 take turn, like we went to Google Map for him that night. And we're like, take left take right. And then we'll reach the place. And after that those are tribes whose photos we went to take. And it is like the last generation remaining. And they are in their 80s and 90s. And, you know, when people in 80s and 90s, like many people, many travel photographers also come to take their photos, and they don't speak your language, they have a different language. So we took a guide with us who can you know, who is from them, and who can translate what we want to convey with them. So first he took us to an old lady, she is in her I think in 85 or something 8586. And then he told her, like, you know why we had come and you know, we want to take the photos and everything. So I just sat there in the house, she offered her, she offered us the local wine, you know, they do from the rice and everything. So she offered us that. And she was sitting by the fire, you know, wouldn't fire and there was the house was you know, not in a good shape, because she is the only surviving member of the family. And you know, she had to do all those stuff. And I was sitting there and I was looking at her and thinking like, I have taken great deal of you know, all this, like 15 hours of flight and all that adventure of 12 hours. And now I'm here sitting in front for her, and I want to take the photos, but how do I approach her like, I don't know the language. And because when you know the language when you talk with someone, you create
something, you know, some kind of connection with that person and then it becomes easy. So I started asking questions, because I asked her that tour guide, you know, to translate all those questions and she started telling all kinds of story, like, you know, how those, like they have some kind of, you know, tattoo face tattoos and everything done. So I started asking, I started asking about her childhood and you know, she was narrating translator was narrating beside there for one and half an hour, you know, chatting with that old lady. And then I asked her like, okay, and by that time she was smiling, and you know, even though we were not talking, but we I felt like okay, I felt that connection from her story. And then like, I asked the guy like, now can I you know, can I take her photo? Can you ask her that? Then he asked her and she said yes. And then I took photos of her, like the way I have imagined the way I wanted. And it was quite good. And, and that moment when I was taking that photo of her. And then I also know, took the Instax search so that I can give some photo to remember by and she was you know, she was so happy when I gave her that photo to smile. I won't even you know forget Stanley I will never forget and she was like a childlike happiness. And we see photo every day, you know? And then you know that was something I learned that day. Like, the things we take for granted, every simple thing, every small thing can make someone smile. I take photos every day, but I was like, Okay, these are the photos. But for her, it's something to remember by you know. So these are the two moments which is quite near and dear to my heart, and will always be
Stanley Aryanto - The Wicked Hunt 55:23
Supriya Samal From Meanderquest 56:03
Stanley Aryanto - The Wicked Hunt 56:35
Supriya Samal From Meanderquest 57:47
Stanley Aryanto - The Wicked Hunt 58:18
Supriya Samal From Meanderquest 59:42
Stanley Aryanto - The Wicked Hunt 1:00:16
By The Wicked Hunt Photography by Stanley Aryanto5
55 ratings
Hey Wicked Hunters,
Other ways to listen and subscribe to the podcast:
• Spotify - http://bit.ly/twhspotify
• Apple Podcast - https://bit.ly/Theartofphotography
• Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr
• Website: https://podcast.thewickedhunt.com
• Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr
For those of you who want to learn more about The Wicked Hunt Photography by Stanley Aryanto:
• Instagram: https://www.instagram.com/thewickedhunt/
• Facebook: https://www.facebook.com/thewickedhunt/
• Twitter: https://www.twitter.com/thewickedhunt/
• Photo prints: https://www.TheWickedHunt.com/
Don't forget to leave a review on the podcast if you enjoy this conversation. It would help us to get found and help to inspire other photographers.
------------
Transcription:
Supriya Samal From Meanderquest 0:00
Stanley Aryanto - The Wicked Hunt 0:09
Supriya Samal From Meanderquest 0:55
Stanley Aryanto - The Wicked Hunt 0:59
Supriya Samal From Meanderquest 1:50
Stanley Aryanto - The Wicked Hunt 6:48
Supriya Samal From Meanderquest 7:58
Stanley Aryanto - The Wicked Hunt 12:17
that is the worst. It's funny, because like, when I was in Canada, you know, like I had a car and everything. But just to put that in perspective that what I have in my bag is a lot more precious than everything else in the car, I was just like, including the car, just like holy, it's crazy. But that's, you know, it brings happiness. So when you were a bank manager, um, you know, you're in a really good place, right? Being a manager, it's a dream for a lot of people to be a manager, you know, it's a lot of people are working hard to get up there and obviously work hard to get there, right. You're a bank manager, I'm guessing you know, you're getting that really good income, you'll get really good benefit or comfortable financially, but what's missing? Why why is it that you're still you know, unhappy and depressed about it and how does that change when you and what what makes you decide to leave that career and start something different or try something?
Supriya Samal From Meanderquest 14:21
yeah, that was a very tough decision to take. Because knowing like, you don't, you will not have your next paycheck coming for you. And it was like, you know, we were just married back then. And it was only six months. But and it was lot to you know, ask from your partner. No. So it's not something I had decided from a long back that I will do and you know, you you got to talk about it. It was not something like that, but I'm lucky on on that matter that you know, Sam was very understanding because he wanted to do all this stuff. So yeah, so that was the thing that led me to quit my job. I am saying it sincerely, Stanley. I had no idea what I was going to do. But I knew that I'm going to do something, you know. And when we took that trip, like I said, So I At this, I had this idea came to my mind, like, I should do photography, I should write about my experiences. So that was it. And like any Asian, you know, parents, my parents were not that, you know, agreeable to me leaving my job. But yeah, with time, I hope they will come around like my mom, she understands it now, my father is still a bit hung up on that, but I know with time he will come around it. So yeah.
Stanley Aryanto - The Wicked Hunt 20:35
Supriya Samal From Meanderquest 21:59
Stanley Aryanto - The Wicked Hunt 24:45
Supriya Samal From Meanderquest 26:13
So that was my first lesson, you know, because it was windy that morning. And I was there was the lake, the mountain I was trying to take the long exposure, and somehow everything got blurry. So So you know, after that, after that, actually, when I went in that trip only we went to another lake OBC. And then I saw photographers taking photos. And they were it was like, What 8am 8:30am and the sun was up. They were taking long exposures. And I saw they were using something you know, I didn't know about ND filters back then. And every experiences of mine, whatever I have learned it was on sale. I don't know what the hell I was researching over the Google. But Google never told me anything. So everything on sale. So I saw that. And I was like, I went to one photographer. He is a very known photographer in Austria. I went to him and I asked him, like, why you were using this? He looked definitely. He looked at me and I was like, this is an ND filter. I will say okay, what's the use? And then he explained me all the stuff. You know, I think that is something good about me. Like, I don't know, I'm not afraid of asking questions. I don't think for a second like what the other person is going to do you have a camera, you're taking photos and you're asking questions. But yeah, that's how I have learned actually on field. And that after that, I came home that day on my trade. And I he gave me some links, you know, from where I can read read about stuff. So I read a lot everything and I understood about it. And from there onwards, I got like a part how to, you know, look about stuff and how to prepare yourself before the trip and all those things. So that most of us think landscape, then, actually, when we went to Barcelona last year, like before that trip, I was a little bit of thinking like, Okay, I have only taken landscape photos, how I'm going to take any street shots, how I'm going to take any architecture shots, like, this is not something I have done. And another of my friend, Julia, she, that I met her also from Instagram, like you. So she was joining us in that trip, she lives in Madrid. So it was also new for her because she also takes only landscapes. So both of us, you know, went around exploring the city and taking all kinds of shots, you know, and it was quite fun. And after the trip, actually, I realised like, I don't have to, you know, put a pin on anything, but I do, like every photographer, you see the group, everyone grows. And this is why like, I had put a pin on my life, when I was working in that nine to five job, why I had to do the same in terms of creativity, I can grow. So that was the thing I do did Street and architecture, then I when I went to India this year, I took tribal portraits. So it's like, now I'm finding you know, everything, which I do, I want to do it in a better way. And that's the thing, I'm enjoying everything, everything related to photography. And even though astrophotography you know, that also, like, the nights you spent there standing, you know, alone and looking at the sky, that feeling that feeling is incredible. I don't want to partner with that feeling just because I take architecture shots, or you know, portrait stuff. No, I want to feel that also. So yeah, I'm going to try everything. So let's see.
Stanley Aryanto - The Wicked Hunt 32:08
Supriya Samal From Meanderquest 34:02
The entire night, we didn't sleep. And like, I think about like, after two or two and a half hours. I got what I wanted. Okay. But there was quite a bit like pollution because, you know, it wasn't the sea level and something and there was a lighthouse also. So the light, there was light pollution. But yeah, the stars were neat, and everything was good. And we took that and we came home. And then I was like, Okay, I now I want to take the track shots now that I know, I want to take the traction. So on the day when we went so our friend Andrey, he also joined us. And he had another whole setup for you know, deep sky photography with telescope and everything. And I was like, Whoa, that's one thing. I didn't know. That was a new thing for me. I was like, Okay, let me handle this small thing first and I will go for the bigger so he was setting up his and I had read about the you know, the polar star, you know, the alignment and everything. But with star tracker when you look through that, you know the tiny hole and do that polar alignment. Oh my god after after, like one hour. I was nearly blind. I was not able to see.
The I was only looking through that one hole. No, no, no, Sam was trying. I was trying. It took us two hours to do the polar alignment. Okay. And we did the alignment by the time it was already dark. And but yeah, we did it. And then we took the panel shots. And it was in funnel forest. Okay. So in that forest, visited two cameras, one without tracker and one with tracker with tracker, I was taking the art shots. And another I took for the you know, to make the light trails, Star Trek sorry, star trails. So it was at one end of the forest. And it was another end of the forest. So in that dark night, we went you know, tries yeah food Times, and you know, you'll have if you have seen them funnel forest images, the tree is, you know, they look like something, you know those creatures, something like that. And imagine in the dark when you suddenly hit the light, turn them it was like, okay, something there, I was so afraid, I was just thinking about, Okay, think about the photos you are going to take, you know, that was my inspiration to go through that dark night. And the entire night I didn't we didn't sleep at all, like angry, he called us, you know, you guys too, should take some rest, you know, we should set up tent, you know, we should take some rest, and he'll go and sleep, I want to sleep. I was so excited. So, and we took all kinds of shots experimented, I also took that Andromeda galaxy shot. And then, you know, he showed us many objects, you know, many stars on the sky he showed us. So that was you know, quite a learning experience. And then about like, five ish in the morning, we started coming back home, everyone was asleep. And, and I was just thinking about, wow, how is all these photos are going to look on my laptop, I want to see them. And, of course, then we came home. And after that actually, the real struggle started. I took all these photos, I had no idea how to do a panel. Okay. But I actually had done a webinar with Daniel Colton once. So he mentioned something about particularly, no, I remember I remember that. So I was like, Yeah, I remember that was something regarding the panel, you know, you can do panels in that. So I got that software. And then I searched about how to do stalking and all those stuff. And yeah, that was quite an experience. Like, you see those images, a Milky Way arch and you think okay, well, what is in there, but no, oh my God, all that thing that experiences that, you know, the research and an after you take the images or the post processing is like a journey in itself. So yeah, I enjoy it though the astral shot. And after that also, we went to take the meteor shower pursued meteor shower shots in Germany. And they're also we had some struggle with our new star tracker, you know, the day one, we couldn't do the polar alignment. It didn't happen. And it was night it was windy, we were actually not prepared. And like after one or two, if you're not prepared and windy night, you can't just you know, stand there and do something. So we came back. And the next day, we went fully prepared. We took all the shots. And even if the forecast was, you know, it's going to be cloudy. But before the clouds we actually saw 50 meteors and took the Milky Way. And with with the meteors, so it was like it was I had never imagined it. So yeah, everything you know, in life is a first if your dries up. Yeah, I enjoyed that.
Stanley Aryanto - The Wicked Hunt 43:18
Supriya Samal From Meanderquest 45:01
Stanley Aryanto - The Wicked Hunt 45:04
Supriya Samal From Meanderquest 45:21
we told our driver Okay then let's return back and you know, go to the nearest village but we didn't imagine like returning also that road is also you know that muddy and everything. So that is also going to take time. So to go downhill also it took us you know another half and out. And then when we were supposed to go and look for a place to remain for that night, then our driver said, no, no, you guys have come from so far, we should go, we should try again. That was like, why we will get the half an hour to coming back here, you know, then I was like, Okay, let's go. And actually, Sam and I, we were both quite angry, open that travel agent, because we had told him, like, we want a four by four car because this route is not good. That is what we have heard, like back from the blogs and everything. And he didn't provide us a four by four card. So it was it was an adventure, like we ditch the place around 10 Like, no 11pm around 11pm Finish the place. And that too, after like people came, I Sam and I also have to get down from the car, we had to push the car, and the event and you know, we had to walk through the forest. And you know, the driver was more afraid than us know. And we like Sam and I, we will guide in him, okay, 10 take turn, like we went to Google Map for him that night. And we're like, take left take right. And then we'll reach the place. And after that those are tribes whose photos we went to take. And it is like the last generation remaining. And they are in their 80s and 90s. And, you know, when people in 80s and 90s, like many people, many travel photographers also come to take their photos, and they don't speak your language, they have a different language. So we took a guide with us who can you know, who is from them, and who can translate what we want to convey with them. So first he took us to an old lady, she is in her I think in 85 or something 8586. And then he told her, like, you know why we had come and you know, we want to take the photos and everything. So I just sat there in the house, she offered her, she offered us the local wine, you know, they do from the rice and everything. So she offered us that. And she was sitting by the fire, you know, wouldn't fire and there was the house was you know, not in a good shape, because she is the only surviving member of the family. And you know, she had to do all those stuff. And I was sitting there and I was looking at her and thinking like, I have taken great deal of you know, all this, like 15 hours of flight and all that adventure of 12 hours. And now I'm here sitting in front for her, and I want to take the photos, but how do I approach her like, I don't know the language. And because when you know the language when you talk with someone, you create
something, you know, some kind of connection with that person and then it becomes easy. So I started asking questions, because I asked her that tour guide, you know, to translate all those questions and she started telling all kinds of story, like, you know, how those, like they have some kind of, you know, tattoo face tattoos and everything done. So I started asking, I started asking about her childhood and you know, she was narrating translator was narrating beside there for one and half an hour, you know, chatting with that old lady. And then I asked her like, okay, and by that time she was smiling, and you know, even though we were not talking, but we I felt like okay, I felt that connection from her story. And then like, I asked the guy like, now can I you know, can I take her photo? Can you ask her that? Then he asked her and she said yes. And then I took photos of her, like the way I have imagined the way I wanted. And it was quite good. And, and that moment when I was taking that photo of her. And then I also know, took the Instax search so that I can give some photo to remember by and she was you know, she was so happy when I gave her that photo to smile. I won't even you know forget Stanley I will never forget and she was like a childlike happiness. And we see photo every day, you know? And then you know that was something I learned that day. Like, the things we take for granted, every simple thing, every small thing can make someone smile. I take photos every day, but I was like, Okay, these are the photos. But for her, it's something to remember by you know. So these are the two moments which is quite near and dear to my heart, and will always be
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