just in time for you to hotbox the oscars, seth and nadine sit down to hit the gas mask bong and talk about how digital technology & special effects attempt to recreate history in nominees like 1917 & the irishman. we talk about media's recent world war 1 fetish (from war horse to wonder woman to battlefield 1), how 1917's fake single take erases the politically radical origins of film montage, the player as camera operator, and how technology remasters and remediates memory & history. get shell shocked with a wild mix from nathan at the end

a shell-shocking mix from nadine at 1:36:44

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