This Episode, we talk with artist Helen Pynor about her project, ‘The End is a Distant Memory’. Working with cells from supermarket bought chicken breast, Pynor’s work explores the philosophically and experientially ambiguous zones, of the life-death boundary and organ transplantation. Her practice draws on her dual backgrounds in the biological sciences and the visual arts to engage directly with the materiality of human and non-human bodies using the mediums of photography, sculpture, video and installation. We are also joined by scientist and collaborator on the project, Dr. Jochen Rink, from The Max Planck Institute of Molecular Cell Biology and Genetics, Dresden.