Today Milena & Megan cover Nobel prize winner radiochemist Irène Joliot-Curie (1897–1956) & Polish sculptor and Holocaust survivor Alina Szapocznikow (1926–1973)

Alina Szapocznikow

Every now and again Megan comes across a piece of artwork and instantly needs to know more. That was the case after seeing Alina Szapocznikow’s 1968 stone sculpture Big Bellies. Today for our 50th episode Megan gets self-indulgent covering this figurative Polish sculptor. While her artwork is amazing, Alina’s life itself is not the most pleasant. Topics we cover in her biography? Cancer, tuberculosis, Nazis and infertility. By far, not one of our feel-good episodes but one in which Megan fangirls over the curiously abstracted figurative work of this under appreciated 20th century artist.

Hands down this is one of Megan’s favorite pieces of artwork to date – Alina’s 1968 stone sculpture Big Bellies

Early work from the 1960’s, prior to Alina experimenting with mixed media. Left, a ceramic face jug. Right, stone and cast plaster Double Self Portrait

Selection of work from Alina’s mid 1960’s series of ​Illuminated Lips lamps, breast forms were incorporated in the late 60’s

1969 work Motherhood, pigmented polyester resin, photographs, gauze

Alina pictured left with her first husband Ryszard Stanisławski and baby Piotr in 1952. Right, Alina and Piotr in the late 1950’s

* Museum of Modern Art in Warsaw – Has an amazing photographic collection of not only Alina’s artwork, but personal, candid photos as well * Socialist Realist art – Art style propagating idealized depictions of Soviet life* Poland’s post-WWII ‘thaw’ period – Period after Stalin’s 1953 death when Poland started gradually distancing itself from the USSR’s communist rule * You can read Amy Chmielewski’s essay Alina Szapocznikow: and her sculpture of plastic impermanence HERE* You can watch scholar Griselda Pollock’s talk Too Early and Too Late: The Sculptural Dissolutions of Alina Szapocznikow In and Out of Time HERE, part of the 2012 exhibition Alina Szapocznikow: Sculpture, Undone, 1955–1972, at The Museum of Modern Art, New York and at The Hammer Museum, Los Angeles* Read about the LGBTQIA “free” Polish towns HERE

Wanna know more? Always a book for that (usually) (or article)

Celeida Tostes by editors Marcus de Lontra Costa & Raquel Silva. Available to read for free,