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Ep. 77 - Ballroom! (The Motha' Kiki Ball)
PuSh's Artistic Director, Gabrielle Martin, speaks with Mother Bee Gvasalia, Savannah Sutherland, Ihomehe ("Legs"), and Menace Gvasalia about The Motha' Kiki Ball, coming up at the 2026 PuSh Festival: February 7 at the Birdhouse.
Show Notes
Gabrielle and her guests discuss:
- How did Blackout Collective begin and what was that specific moment that compelled it?
- The significance and meaning of ballroom as gathering and performance
- Balancing competitive fire with fierce tenderness with honouring roots
- How chosen families show up, especially in ballroom
- How ballroom judges work and what they are looking for
- The stories that ballroom tells
- Waves of new talent entering the scene
- The challenge of learning technique vs. competing
- The Ballroom 101 Rapid Fire Round!
About The Motha' Kiki Ball
From vogue to runway, The Motha' Kiki Ball crowns motherhood as the origin story, legacy, and creative force behind Ballroom. Black Out, a collective centering Blackness in the local Kiki scene, leads this year's winter ball co-presented by PuSh and Van Vogue Jam. This Black History Month spectacular celebrates the power that gives life to cultures and movements. Expect looks that radiate iconic energy and a runway filled with matriarch moments.
About BlackOUT Collective
BlackOUT is a Vancouver-based Collective that centers Blackness within the Vancouver Kiki Ballroom scene. Our mission is to make Ballroom accessible to Black folks in Vancouver by creating entry points, fostering belonging and celebrating community. Since our inception in 2024, we've hosted several open sessions and produced "The Cookout Mini Kiki Ball", Vancouver's first Ball featuring an all Black production team and judging panel.
Land Acknowledgement
This conversation was recorded on the unceded, stolen and ancestral territories of the Coast Salish Peoples: the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaɬ (Tsleil-Waututh), colonially known as Vancouver.
Savannah Sutherland joined the conversation from Accra, also called Ga, Ghana.
It is our duty to establish right relations with the people on whose territories we live and work, and with the land itself.
Credits
PuSh Play is produced by Ben Charland and Tricia Knowles. Original music by Joseph Hirabayashi.
Show Transcript
View all episodes
By PuSh FestivalPuSh's Artistic Director, Gabrielle Martin, speaks with Mother Bee Gvasalia, Savannah Sutherland, Ihomehe ("Legs"), and Menace Gvasalia about The Motha' Kiki Ball, coming up at the 2026 PuSh Festival: February 7 at the Birdhouse.
Show Notes
Gabrielle and her guests discuss:
- How did Blackout Collective begin and what was that specific moment that compelled it?
- The significance and meaning of ballroom as gathering and performance
- Balancing competitive fire with fierce tenderness with honouring roots
- How chosen families show up, especially in ballroom
- How ballroom judges work and what they are looking for
- The stories that ballroom tells
- Waves of new talent entering the scene
- The challenge of learning technique vs. competing
- The Ballroom 101 Rapid Fire Round!
About The Motha' Kiki Ball
From vogue to runway, The Motha' Kiki Ball crowns motherhood as the origin story, legacy, and creative force behind Ballroom. Black Out, a collective centering Blackness in the local Kiki scene, leads this year's winter ball co-presented by PuSh and Van Vogue Jam. This Black History Month spectacular celebrates the power that gives life to cultures and movements. Expect looks that radiate iconic energy and a runway filled with matriarch moments.
About BlackOUT Collective
BlackOUT is a Vancouver-based Collective that centers Blackness within the Vancouver Kiki Ballroom scene. Our mission is to make Ballroom accessible to Black folks in Vancouver by creating entry points, fostering belonging and celebrating community. Since our inception in 2024, we've hosted several open sessions and produced "The Cookout Mini Kiki Ball", Vancouver's first Ball featuring an all Black production team and judging panel.
Land Acknowledgement
This conversation was recorded on the unceded, stolen and ancestral territories of the Coast Salish Peoples: the xʷməθkʷəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaɬ (Tsleil-Waututh), colonially known as Vancouver.
Savannah Sutherland joined the conversation from Accra, also called Ga, Ghana.
It is our duty to establish right relations with the people on whose territories we live and work, and with the land itself.
Credits
PuSh Play is produced by Ben Charland and Tricia Knowles. Original music by Joseph Hirabayashi.
Show Transcript