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Welcome to Episode 8 of “To Be Continued: A Stonecroft Symposium Podcast”!
In this episode, Keegan Prempeh talks with Jade Bayard Peek, Lydia Collins and Pomaa Prempeh about Black disability justice, community care and access intimacy in the context of Covid.
“To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant.
Produced by Fin Xuan Tran, Anna Shah Hoque and Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory.
The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork.
CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts.
Find more about the exhibition on CUAG's website: http://cuag.ca
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Welcome to Episode 8 of “To Be Continued: A Stonecroft Symposium Podcast”!
In this episode, Keegan Prempeh talks with Jade Bayard Peek, Lydia Collins and Pomaa Prempeh about Black disability justice, community care and access intimacy in the context of Covid.
“To Be Continued: Troubling the Queer Archive” is on view at Carleton University Art Gallery. Featuring: Barry Ace, Howard Adler, Aymara Alvarado Sanchez, Pansee Atta, Rosalie Favell, Ashley Grenstone, RJ Jones, Don Kwan, Ed Kwan AKA China Doll, Kole Peplinskie, Adrienne Row-Smith, Pride Is Political, Shanghai Restaurant.
Produced by Fin Xuan Tran, Anna Shah Hoque and Cara Tierney, this episode was recorded in Ottawa, on unceded Algonquin territory.
The graphic for this podcast features beaded pins by Ottawa-based artist and musician Larissa Desrosiers (Anishinaabe/Ojibwe). The pins were commissioned as gifts for the podcast participants. You can find more of her work at @bangishimonbeadwork.
CUAG acknowledges with sincere gratitude the support of the Stonecroft Foundation for the Arts, which promotes education in the visual arts and fosters the public’s appreciation of the visual arts.
Find more about the exhibition on CUAG's website: http://cuag.ca