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🎙️ Over the holidays, Angel and Roman finally caught up with The Running Man - and took a long stroll down Edgar Wright lane. What did he nail? Where did things wobble? And how does a filmmaker known for control, rhythm, and precision navigate a project like this?
This one gets personal. Partly shot in Bulgaria, the film pulls Roman in for a fly-on-the-wall moment from the set - including stories from around his birthday - offering a rare Eastern European perspective on a very Anglo-American production.
They start out fully hating the film and somewhere along the walk slow down, zoom out, and realize there might be more going on beneath the surface. Not excuses - context. And maybe a bit of empathy for Edgar along the way.
Just an honest conversation about filmmaking, compromise, and expectations.
🔥 Subscribe for more!
🎧 Listen on Spotify: https://open.spotify.com/user/31s6k5ya7bqhk54n35tsw4vgbspe
🍏 Listen on Apple Podcasts: https://podcasts.apple.com/bg/podcast/cinema-strolls/id1812422760
-
✨ Support the pod
💛 Ko-fi: https://ko-fi.com/cinemastrolls
❤️ Patreon: https://patreon.com/cinemastrolls
-
📸 Follow us on:
Instagram: https://instagram.com/cinemastrolls
YouTube: https://youtube.com/@cinemastrolls
Spotify: https://open.spotify.com/user/31s6k5ya7bqhk54n35tsw4vgbspe
Apple podcasts: https://podcasts.apple.com/bg/podcast/cinema-strolls/id1812422760
🎤 Hosted by:
Angel Radev – film director, editor, composer, screenwriter
Roman Pessarov – film director, producer, editor
🎛️ Produced & Edited by:
Noura Al Kadri – producer at Hot Potato studio (www.hot-potato.eu)
🎵 Music by Angel Radev
💬 Tell us if you liked it in the comments below
👍 Like, 💾 Save, 🔔 Subscribe
⭐ Rate us - it really helps!
By Cinema Strolls🎙️ Over the holidays, Angel and Roman finally caught up with The Running Man - and took a long stroll down Edgar Wright lane. What did he nail? Where did things wobble? And how does a filmmaker known for control, rhythm, and precision navigate a project like this?
This one gets personal. Partly shot in Bulgaria, the film pulls Roman in for a fly-on-the-wall moment from the set - including stories from around his birthday - offering a rare Eastern European perspective on a very Anglo-American production.
They start out fully hating the film and somewhere along the walk slow down, zoom out, and realize there might be more going on beneath the surface. Not excuses - context. And maybe a bit of empathy for Edgar along the way.
Just an honest conversation about filmmaking, compromise, and expectations.
🔥 Subscribe for more!
🎧 Listen on Spotify: https://open.spotify.com/user/31s6k5ya7bqhk54n35tsw4vgbspe
🍏 Listen on Apple Podcasts: https://podcasts.apple.com/bg/podcast/cinema-strolls/id1812422760
-
✨ Support the pod
💛 Ko-fi: https://ko-fi.com/cinemastrolls
❤️ Patreon: https://patreon.com/cinemastrolls
-
📸 Follow us on:
Instagram: https://instagram.com/cinemastrolls
YouTube: https://youtube.com/@cinemastrolls
Spotify: https://open.spotify.com/user/31s6k5ya7bqhk54n35tsw4vgbspe
Apple podcasts: https://podcasts.apple.com/bg/podcast/cinema-strolls/id1812422760
🎤 Hosted by:
Angel Radev – film director, editor, composer, screenwriter
Roman Pessarov – film director, producer, editor
🎛️ Produced & Edited by:
Noura Al Kadri – producer at Hot Potato studio (www.hot-potato.eu)
🎵 Music by Angel Radev
💬 Tell us if you liked it in the comments below
👍 Like, 💾 Save, 🔔 Subscribe
⭐ Rate us - it really helps!