A long hot summer in Italy - it's 1970 and Keith Nearing is 20, working his way through the canon and thinking about sex with his companions.  A sprawling novel about the reconfiguration of social mores in the aftermath of the sexual revolution - not for nothing does it start with Larkin's Annus Mirabilis.  In this discussion I highlight Katha Politt's criticisms of the depiction of female characters, the slightly uncertain period detail, parallels to Adrian Mole, Lucky Jim and Jenny Bunn from Take a Girl Like You  (1960), and end by exploring whether Amis was right to complain about critics seeing it as autobiographical.
Content note: mentions of sexual assault