In this episode we discuss Brian Massumi’s “Concrete Is as Concrete Doesn’t,” the introduction to his book Parables for the Virtual: Movement, Affect, Sensation (2005). Among the (un)timely topics we explore are the nature of embodied movement as it affects and effects our subject positions, and how those positions can seem “gridlocked” when we retroactively pinpoint a “self” at the intersection of race, gender, and class identities. How do we acknowledge the strategic importance of such positions while not being captured by them? How can movement, affect, and sensation bring attention to the body in productive ways? How do we avoid the “cultural freeze-frame” of an identity politics that threatens to solidify certain identity constructions? Furthermore, how might field-friendly concepts from the sciences facilitate a more comprehensive and generative sense of embodied movement vis-à-vis becoming? In that effort, how do we “poach” scientific concepts without reducing them to mere metaphors? Finally, and perhaps most importantly for our podcast, how does Massumi’s experimental writing perform the very trans-disciplinary and radical empiricist philosophy that he encourages, thereby bringing movement, affect, and sensation to the writing process itself?